This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.
| Directing | Orson Welles | Director |
| Writing | William Gillette | Theatre Play |
| Writing | Orson Welles | Screenplay |
| Production | John Berry | Co-Producer |
| Production | John Houseman | Producer |
| Production | Orson Welles | Producer |
| Production | Richard Wilson | Associate Producer |
| Camera | Paul Dunbar | Director of Photography |
| Camera | Harry Dunham | Director of Photography |
| Editing | William Alland | Editor |
| Editing | Orson Welles | Editor |
| Editing | Richard Wilson | Editor |
| Art | James Morcom | Production Design |
| Costume & Make-Up | Leo Van Witsen | Costume Design |
| Production | Richard Wilson | Unit Production Manager |
| Directing | John Berry | Assistant Director |
