In 1950s, two incestuous lovers, a depraved suave journalist and his equally depraved prostitute sister, plan to get rich through seduction and murder.
Writing | Larry Gross | Screenplay |
Directing | Michael Oblowitz | Director |
Sound | Pete Rugolo | Original Music Composer |
Camera | Tom Priestley Jr. | Director of Photography |
Editing | Emma E. Hickox | Editor |
Production | Barr B. Potter | Executive Producer |
Production | Brad Wyman | Producer |
Production | Mary Vernieu | Associate Producer |
Editing | Carl Pedregal | Assistant Editor |
Art | Chester A. Spier | Set Decoration |
Production | Chris Hanley | Producer |
Editing | Jim Passon | Color Timer |
Production | Larry Gross | Producer |
Production | Billy Zane | Executive Producer |
Production | Jeff Tanner | Line Producer |
Production | Albert T. Dickerson III | Co-Producer |
Art | Maia Javan | Production Design |
Production | Frank K. Isaac | Co-Producer |
Production | David Norton | Associate Producer |
Production | Mary Vernieu | Casting |
Crew | Stephen Eckelberry | Post Production Supervisor |
Production | Lisa Mae Fincannon | Casting |
Costume & Make-Up | Andre Blaise | Key Hair Stylist |
Costume & Make-Up | Jeff Goodwin | Prosthetics |
Production | Ronnie Yeskel | Casting |
Costume & Make-Up | Dan Moore | Costume Design |
Art | Alison Sadler | Art Direction |
Costume & Make-Up | Brad Boles | Makeup Artist |
Crew | Rick Pour | Makeup Effects |
Art | Dan Perri | Title Designer |
Writing | Jim Thompson | Short Story |
Crew | Michael Sinclair Walter | Stunts |
Crew | Dean Mumford | Stunt Coordinator |
Crew | Michael Schorr | Special Effects Coordinator |
Crew | Greg Hull | Special Effects Coordinator |
Camera | Michael F. Barrow | Second Unit Director of Photography |