A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
| Directing | Kathryn Bigelow | Director |
| Writing | Alice Arlen | Screenplay |
| Writing | Christopher Kyle | Screenplay |
| Editing | Howard E. Smith | Editor |
| Sound | David Hirschfelder | Original Music Composer |
| Costume & Make-Up | Marit Allen | Costume Design |
| Art | Laura Cuthill | Set Decoration |
| Camera | Adrian Biddle | Director of Photography |
| Writing | Anita Shreve | Novel |
| Production | Mali Finn | Casting |
| Art | Mark Laing | Art Direction |
| Art | Patricia Larman | Set Decoration |
| Art | Karl Júlíusson | Production Design |
| Production | Sigurjón Sighvatsson | Producer |
| Art | Deborah Ross | Title Designer |
| Crew | Marny Eng | Stunt Double |
| Crew | Alisa Christensen | Stunt Double |
| Visual Effects | Korey J. Cauchon | Visual Effects |
| Crew | Herbert Dwight Raymond IV | Visual Effects Editor |
| Crew | Ted Ross | Special Effects Coordinator |
| Visual Effects | Gary Coates | Special Effects Supervisor |
| Directing | David Webb | First Assistant Director |
| Costume & Make-Up | Felicity Bowring | Makeup Department Head |
| Costume & Make-Up | Nisha Dubey | Makeup Artist |
| Directing | Sarah Dunsworth | Third Assistant Director |
