A housewife's sudden rise to fame as a soap spokesperson leads to chaos in her home life.
| Writing | Carl Reiner | Screenplay |
| Directing | Norman Jewison | Director |
| Writing | Larry Gelbart | Story |
| Writing | Carl Reiner | Story |
| Production | Ross Hunter | Producer |
| Camera | Russell Metty | Director of Photography |
| Editing | Milton Carruth | Editor |
| Lighting | Max Nippell | Gaffer |
| Camera | Charles Cowie | Grip |
| Camera | Rollie Lane | Still Photographer |
| Costume & Make-Up | Jean Louis | Costume Design |
| Production | Martin Melcher | Producer |
| Sound | Frank De Vol | Music |
| Art | Robert F. Boyle | Art Direction |
| Art | Alexander Golitzen | Art Direction |
| Art | Howard Bristol | Set Decoration |
| Costume & Make-Up | Emma M. diVittorio | Hairstylist |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Production | Norman Deming | Unit Production Manager |
| Production | Edward Muhl | Executive In Charge Of Production |
| Directing | Carl Beringer | Assistant Director |
| Directing | Phil Bowles | Assistant Director |
| Art | Phil Haley | Props |
| Art | Solly Martino | Props |
| Sound | Glenn E. Anderson | Sound |
| Sound | Donald Cunliffe | Sound |
| Sound | Victor Goode | Sound |
| Sound | William Russell | Sound |
| Sound | Waldon O. Watson | Sound |
| Camera | Ledge Haddow | Assistant Camera |
| Camera | Virgil Proctor | Best Boy Grip |
| Camera | Eddie Pyle | Camera Operator |
| Camera | Kenneth Smith | Grip |
| Editing | Richard Bracken | Assistant Editor |
| Sound | Joseph Gershenson | Music Supervisor |
| Directing | Teresa Brachetto | Script Supervisor |
| Crew | Don Morgan | Unit Publicist |
| Crew | Norman Stuart | Dialogue Coach |
