The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.
| Directing | Roger Scholes | Director |
| Writing | Roger Scholes | Writer |
| Sound | Paul Schutze | Music |
| Production | Antony I. Ginnane | Executive Producer |
| Production | Bryce Menzies | Producer |
| Camera | Steve Mason | Director of Photography |
| Sound | Paul Schutze | Sound Effects Editor |
| Sound | Robert 'Gotch' Cutcher | Sound Recordist |
| Sound | Bruce Emery | Sound Mixer |
| Production | Christine Gallagher | Production Manager |
| Costume & Make-Up | Helen Poynder | Costume Design |
| Art | Bryce Perrin | Production Design |
| Production | Andrew Wiseman | Producer |
| Editing | Roger Scholes | Editor |
| Sound | Roger Scholes | Sound Effects Editor |
| Production | Basia Puszka | Executive Producer |
| Production | Ian Pringle | Associate Producer |
| Directing | James Legge | First Assistant Director |
| Costume & Make-Up | Jane Burns | Makeup Artist |
| Production | Gregory Apps | Casting |
| Camera | John Platt | Focus Puller |
| Camera | Harry Panagiotidis | Steadicam Operator |
| Camera | Adam Kropinski | Clapper Loader |