Berlin, 1923. Following the suicide of his brother, American circus acrobat Abel Rosenberg attempts to survive while facing unemployment, depression, alcoholism and the social decay of Germany during the Weimar Republic.
Directing | Ingmar Bergman | Director |
Writing | Ingmar Bergman | Writer |
Production | Irmi Kelpinski | Casting |
Sound | Rolf A. Wilhelm | Music |
Production | Dino De Laurentiis | Producer |
Crew | Sven Nykvist | Cinematography |
Sound | Karsten Ullrich | Sound Designer |
Editing | Jutta Hering | Editor |
Art | Werner Achmann | Art Direction |
Art | Herbert Strabel | Art Direction |
Art | Friedrich Thaler | Art Direction |
Art | Barbara Freude | Props |
Crew | Alan Blair | Translator |
Sound | Theo Müller | Sound Assistant |
Production | Franz Achter | Unit Manager |
Production | Horst Wendlandt | Executive Producer |
Editing | Petra von Oelffen | Assistant Editor |
Costume & Make-Up | Charlotte Flemming | Costume Design |
Production | Harold Nebenzal | Line Producer |
Sound | Milan Bor | Sound Mixer |
Production | Rudolf Geiger | Unit Manager |
Production | Harry Wilbert | Unit Manager |
Directing | Wieland Liebske | Assistant Director |
Costume & Make-Up | Susi Krause | Makeup Artist |
Art | Harry Freude | Props |
Sound | Karsten Ullrich | Sound |
Crew | Dieter Ortmeier | Special Effects |
Crew | Heino Hallhuber | Choreographer |
Production | Georg Föcking | Production Manager |
Production | Horst Scheerbarth | Unit Manager |
Sound | Armin Münch | Sound Assistant |
Crew | Karl Baumgartner | Special Effects |
Crew | Chloe Amateau | Dialogue Coach |
Costume & Make-Up | Babette Juli | Makeup Artist |
Costume & Make-Up | Raimund Stangl | Makeup Artist |
Costume & Make-Up | Franz Göbel | Makeup Artist |
Production | Rolf Zehetbauer | Production Designer |