A group of Nobel laureates descends on Stockholm to accept their awards. Among them is American novelist Andrew Craig, a former literary luminary now writing pulp detective stories to earn a living. Craig, who is infamous for his drinking and womanizing, formulates a wild theory that physics prize winner Dr. Max Stratman has been replaced by an impostor, embroiling Craig and his chaperone in a Cold War kidnapping plot.
| Directing | Mark Robson | Director |
| Art | Urie McCleary | Art Direction |
| Sound | Jerry Goldsmith | Original Music Composer |
| Camera | William H. Daniels | Director of Photography |
| Writing | Irving Wallace | Novel |
| Art | Henry Grace | Set Decoration |
| Production | Pandro S. Berman | Producer |
| Art | George W. Davis | Art Direction |
| Editing | Adrienne Fazan | Editor |
| Writing | Ernest Lehman | Screenplay |
| Production | Kathryn Hereford | Associate Producer |
| Art | Richard Pefferle | Set Decoration |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Costume & Make-Up | William Tuttle | Makeup Designer |
| Directing | Hank Moonjean | Assistant Director |
| Sound | Franklin Milton | Recording Supervision |
| Visual Effects | A. Arnold Gillespie | Visual Effects |
| Visual Effects | Robert R. Hoag | Visual Effects |
| Visual Effects | J. McMillan Johnson | Visual Effects |
| Costume & Make-Up | Bill Thomas | Wardrobe Designer |
| Crew | Charlie Picerni | Stunts |
