Two women--one a wealthy society débutante, the other an elegant call girl--with a remarkable resemblance to one another decide to trade professions and social positions temporarily and see what results from it.
| Writing | Pierre Serbie | Novel |
| Directing | Radley Metzger | Director |
| Writing | Pierre Serbie | Story |
| Writing | Radley Metzger | Screenplay |
| Directing | Gérard Loubeau | Director |
| Production | Carole Millang | Accountant |
| Production | Caroline Mazauric | Production Manager |
| Production | Didier Brule | Assistant Unit Manager |
| Lighting | Marc Bruderer | Electrician |
| Lighting | Daniel Mahé | Electrician |
| Camera | John Harhay | First Assistant Camera |
| Sound | Dale Whitman | Sound |
| Costume & Make-Up | Deborah Kiser | Makeup Artist |
| Camera | Gérard Loubeau | Director of Photography |
| Costume & Make-Up | Catherine Gollner | Wardrobe Supervisor |
| Camera | Raoul Pacioselli | First Assistant Camera |
| Sound | Aaron Nathanson | Sound Re-Recording Mixer |
| Art | Candida Piel | Props |
| Costume & Make-Up | Aida Rossignol | Makeup Artist |
| Art | David Goldberg | Assistant Art Director |
| Production | Victor Béniard | Producer |
| Lighting | Éric Guadagnan | Electrician |
| Production | Louis Wolff | Associate Producer |
| Production | Robert Robin | Unit Manager |
| Directing | Dennis T. Benatar | Assistant Director |
| Editing | Jimmy McDonough | Assistant Editor |
| Editing | Scott Vickrey | Editor |
| Camera | Richard Eliano | Second Assistant Camera |
| Production | Eric P. Steckler | Unit Manager |
| Art | George Brown | Art Direction |
| Directing | Martha Mitchell | Script Supervisor |
| Production | Marcel Albertini | Producer |
| Sound | Bob Gorlick | Boom Operator |
