Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell's daughter is not helping their relationship.
| Production | D. Constantine Conte | Producer |
| Camera | Peter Hyams | Director of Photography |
| Sound | Bruce Broughton | Original Music Composer |
| Editing | Diane Adler | Editor |
| Writing | Larry Ferguson | Screenplay |
| Directing | Peter Hyams | Director |
| Crew | Dick Ziker | Stunts |
| Editing | Beau Barthel | Editor |
| Editing | James Mitchell | Editor |
| Art | Albert Brenner | Production Design |
| Art | Kandy Stern | Art Direction |
| Art | Marvin March | Set Decoration |
| Costume & Make-Up | Stephen Abrums | Makeup Artist |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Sound | Randle Akerson | Supervising Sound Editor |
| Production | Janet Hirshenson | Casting |
| Production | Jane Jenkins | Casting |
| Production | Fred C. Caruso | Co-Producer |
| Production | Jonathan A. Zimbert | Executive Producer |
| Production | Fred C. Caruso | Unit Production Manager |
| Directing | Alan B. Curtiss | First Assistant Director |
| Directing | Regina Gordon | Second Assistant Director |
| Art | Roland E. Hill Jr. | Set Designer |
| Art | Harold Fuhrman | Set Designer |
| Art | Bernard P. Cutler | Set Designer |
| Editing | Gillian L. Hutshing | Assistant Editor |
| Editing | Beverly Pinnas | Assistant Editor |
| Sound | Curt Sobel | Music Editor |
| Sound | Gene S. Cantamessa | Production Sound Mixer |
| Sound | Steve Cantamessa | Boom Operator |
| Crew | Mark Jennings | Cableman |
| Camera | Ralph Gerling | Camera Operator |
| Camera | Steve Peterson | First Assistant Camera |
| Camera | Baird Steptoe | First Assistant Camera |
| Camera | Michael P. May | Second Assistant Camera |
| Camera | John Hennessey | Dolly Grip |
| Lighting | Tim Griffith | Chief Lighting Technician |
| Lighting | E. Christopher Reed | Assistant Chief Lighting Technician |
| Lighting | Walter Nichols | Assistant Chief Lighting Technician |
| Sound | Beth Sterner | Sound Editor |
| Sound | Hamilton Sterling | Sound Editor |
| Sound | Asher Yates | Sound Editor |
| Sound | David B. Cohn | Sound Editor |
| Sound | Mark Pappas | Foley Supervisor |
| Sound | Thomas Whiting | ADR Supervisor |
| Sound | Michael J. Kohut | Sound Re-Recording Mixer |
| Sound | Aaron Rochin | Sound Re-Recording Mixer |
| Sound | Carlos Delarios | Sound Re-Recording Mixer |
| Sound | Armin Steiner | Scoring Mixer |
| Sound | Mark McKenzie | Orchestrator |
| Crew | Phil Cory | Special Effects Coordinator |
| Crew | Al Broussard | Special Effects |
| Directing | Julie Pitkanen | Script Supervisor |
| Crew | Glenn R. Wilder | Stunt Coordinator |
| Costume & Make-Up | Sugar Blymyer | Hairstylist |
| Costume & Make-Up | Michael W. Hoffman | Wardrobe Supervisor |
| Costume & Make-Up | Aggie Lyon | Wardrobe Supervisor |
| Costume & Make-Up | Dallas D. Dornan | Set Costumer |
| Art | C.J. Maguire | Property Master |
| Art | Frank L. Brown | Assistant Property Master |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Production | Yvonne Yaconelli | Production Office Coordinator |
| Directing | Brian Fong | Second Second Assistant Director |
| Production | Mario Iscovich | Location Manager |
| Crew | Anne Marie Stein | Unit Publicist |
| Art | Richard Dean Rankin | Construction Coordinator |
| Crew | Leroy Reed | Transportation Coordinator |
| Editing | Bob Noland | Color Timer |
| Sound | David W. Gray | Dolby Consultant |
| Production | Nancy Hayes | Extras Casting |
| Crew | Jophery C. Brown | Stunts |
| Crew | Ronnie Rondell Jr. | Stunts |
| Crew | David R. Ellis | Stunts |
| Crew | Chuck Picerni Jr. | Stunts |
| Sound | Norval D. Crutcher III | Supervising Sound Editor |
| Crew | Tim A. Davison | Stunts |
| Crew | Buddy Joe Hooker | Stunts |
| Crew | Janet Brady | Stunts |
| Crew | Kenny Endoso | Stunts |
