Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.
| Writing | Joel Schumacher | Screenplay |
| Directing | Joel Schumacher | Director |
| Writing | Andrew Lloyd Webber | Screenplay |
| Production | Andrew Lloyd Webber | Producer |
| Art | Anthony Pratt | Production Design |
| Editing | Terry Rawlings | Editor |
| Art | Anthony Caron-Delion | Assistant Art Director |
| Sound | Michael Parnin | Music Editor |
| Crew | Lisa Stevens | Choreographer |
| Crew | Lynne Page | Associate Choreographer |
| Production | David Grindrod | Casting |
| Crew | Peter Darling | Choreographer |
| Crew | Gillian Lynne | Choreographer |
| Costume & Make-Up | Alexandra Byrne | Costume Design |
| Art | Celia Bobak | Set Decoration |
| Writing | Gaston Leroux | Novel |
| Art | Paul Kirby | Art Direction |
| Costume & Make-Up | Suzi Turnbull | Costume Supervisor |
| Directing | Sally Jones | Script Supervisor |
| Sound | Yann McCullough | Music Editor |
| Sound | Andrew Lloyd Webber | Original Music Composer |
| Costume & Make-Up | Faye Aydin | Makeup Artist |
| Production | Austin Shaw | Executive Producer |
| Production | Paul Hitchcock | Executive Producer |
| Production | Louise Goodsill | Executive Producer |
| Production | Ralph Kamp | Executive Producer |
| Production | Jeff Abberley | Executive Producer |
| Production | Julia Blackman | Executive Producer |
| Production | Keith Cousins | Executive Producer |
| Camera | John Mathieson | Director of Photography |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Sound | David Cullen | Orchestrator |
| Visual Effects | Nathan McGuinness | Visual Effects Supervisor |
| Production | Eli Richbourg | Co-Producer |
| Production | Dusty Symonds | Unit Production Manager |
| Directing | Tommy Gormley | First Assistant Director |
| Directing | Mark Layton | Second Assistant Director |
| Crew | Greg Powell | Stunt Coordinator |
| Visual Effects | Peter Hutchinson | Special Effects Supervisor |
| Art | John Fenner | Supervising Art Director |
| Art | Arthur Wicks | Property Master |
| Crew | Tim Grover | Post Production Supervisor |
| Production | Lorraine Fennell | Production Manager |
| Production | Cate Arbeid | Producer's Assistant |
| Camera | Peter Taylor | Camera Operator |
| Camera | Clive Jackson | Camera Operator |
| Camera | Paul Edwards | Camera Operator |
| Crew | Jill McCullough | Dialect Coach |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Sound | Tony Dawe | Sound Mixer |
| Sound | Jaya Bishop | Boom Operator |
| Art | Jim Cornish | Storyboard Artist |
| Art | Lavinia Waters | Art Department Coordinator |
| Crew | Tony Tromp | Visual Effects Editor |
| Sound | Martin Evans | Supervising Sound Editor |
| Sound | Paul Apted | Assistant Sound Editor |
| Sound | Tim Hands | Dialogue Editor |
| Camera | Alex Bailey | Still Photographer |
| Editing | John Stanborough | Color Timer |
| Production | Brendan Donnison | ADR Voice Casting |
| Sound | Ed Colyer | Foley Mixer |
| Crew | Caridad Angus | Stand In |
| Writing | Charles Hart | Lyricist |
| Writing | Richard Stilgoe | Lyricist |
| Crew | Jo McLaren | Stunts |
