An ancient genie is released from a lamp when thieves ransack an old woman's house. They are killed and the lamp is moved to a museum to be studied. The curator's daughter is soon possessed by the genie and invites her friends to spend the night at the museum, along with some uninvited guests...
| Directing | Tom Daley | Director |
| Writing | Warren Chaney | Writer |
| Editing | Claudio M. Cutry | Editor |
| Crew | Brian Wade | Makeup Effects |
| Production | D.W. Chaney | Casting |
| Sound | Joel Rosenbaum | Original Music Composer |
| Production | Warren Chaney | Producer |
| Camera | Herbert Raditschnig | Director of Photography |
| Art | John Frick | Set Decoration |
| Production | Deborah Winters | Associate Producer |
| Crew | Bill Forsche | Makeup Effects |
| Costume & Make-Up | Rona Lamont | Costume Design |
| Crew | John Blake | Makeup Effects |
| Art | Robert A. Burns | Production Design |
| Crew | Thomas Floutz | Makeup Effects |
| Production | Fred T. Kuehnert | Executive Producer |
| Production | Mohammad Sanousi | Executive Producer |
| Sound | Bruce Miller | Original Music Composer |
| Crew | Neil Summers | Stunt Coordinator |
| Lighting | Dwight Cary | Best Boy Electric |
| Costume & Make-Up | John Blake | Special Effects Makeup Artist |
| Sound | Tim Himes | Sound Mixer |
| Sound | Alan Holly | Foley Mixer |
| Costume & Make-Up | Jack Bridwell | Special Effects Makeup Artist |
| Costume & Make-Up | John Naulin | Special Effects Makeup Artist |
| Lighting | Robert Gray | Gaffer |
| Camera | Michael Rothenberg | First Assistant Camera |
| Crew | D.W. Chaney | Studio Teacher |
| Production | Waverly Evans | Production Coordinator |
| Directing | Kim Fusch | Second Unit First Assistant Director |
| Art | Chris Meyer | Property Master |
| Sound | Richard Tyler | Sound Re-Recording Mixer |
| Costume & Make-Up | Steven Summerfield | Special Effects Makeup Artist |
| Camera | Glenn Steward | Key Grip |
| Crew | Jim Picciolo | Animal Wrangler |
| Directing | Warren Chaney | Second Unit Director |
| Sound | Duane Hensel | Assistant Foley Artist |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Costume & Make-Up | Jim Gill | Special Effects Makeup Artist |
| Visual Effects | David Prentis | Rotoscoping Artist |
| Camera | Roy Alan Wilson | Still Photographer |
| Costume & Make-Up | Bill Forsche | Special Effects Makeup Artist |
| Sound | Bob Waller | Boom Operator |
| Costume & Make-Up | Barbara Anne Bock | Special Effects Makeup Artist |
| Crew | Frankie Inez | Special Effects |
| Costume & Make-Up | Bart Mixon | Special Effects Makeup Artist |
| Directing | Paula Barrett-Barbier | Script Supervisor |
| Sound | Kevin Hearst | Sound Editor |
| Visual Effects | David L. Hewitt | Visual Effects Supervisor |
| Camera | Ingo Raditschnig | Second Assistant Camera |
| Crew | Curtis Herman | Stand In |
| Costume & Make-Up | Brian Wade | Special Effects Makeup Artist |
| Production | Sanford Hampton | Production Manager |
| Sound | John L. Mack | Sound Re-Recording Mixer |
| Costume & Make-Up | James McLoughlin | Special Effects Makeup Artist |
| Crew | Kevin Mazeika | Stunts |
| Crew | David Sanders | Stunts |
| Lighting | Doug Sutton | Chief Lighting Technician |
| Crew | Melissa Zoelle | Stand In |
| Art | Bill Forsche | Sculptor |
| Sound | Dan Hegeman | Sound Editor |
| Visual Effects | Frankie Inez | Special Effects Supervisor |
| Costume & Make-Up | Ron Clark | Makeup & Hair |
| Costume & Make-Up | Rick Jones | Makeup & Hair |
| Directing | Beverly Wilson-Wilson | Second Assistant Director |
| Sound | Steve Mann | Sound Designer |
| Crew | Lesley Chaney | Special Effects Assistant |
| Costume & Make-Up | Richard Mayone | Special Effects Makeup Artist |
| Crew | David L. Hewitt | Visual Effects Design Consultant |
| Crew | Cherie Sanders | Stunts |
| Camera | Randy Nolen | Steadicam Operator |
| Costume & Make-Up | Thomas Floutz | Special Effects Makeup Artist |
| Directing | Sanford Hampton | First Assistant Director |
| Costume & Make-Up | Paul Clemens | Special Effects Makeup Artist |
| Crew | Tom Hartigan | Special Effects Assistant |
| Crew | Maeve Crommie | Stunts |
| Camera | Ralph Watson | Steadicam Operator |
| Editing | Chuck Weiss | Associate Editor |
| Art | Chuck Singleton | Construction Manager |
| Costume & Make-Up | Nichael Boggio | Special Effects Makeup Artist |
| Crew | Raymond Fielding | Visual Effects Design Consultant |
| Crew | Dick Hancock | Stunts |
| Camera | Sean Maxwell | Dolly Grip |
| Production | Beverly Wilson-Wilson | Production Assistant |
| Directing | Matt Hinkley | First Assistant Director |
| Sound | Earl Watson | Dialogue Editor |
| Crew | Christopher Swift | Special Effects Coordinator |
| Camera | Brown Cooper | First Assistant Camera |
| Lighting | Richard Cromtom | Best Boy Electric |
| Camera | Mike Gilles | Grip |
| Sound | Kim Fowler | Assistant Foley Artist |
| Costume & Make-Up | Gabriel Bartalos | Special Effects Makeup Artist |
| Lighting | Kevin Wadowski | Best Boy Lighting Technician |
| Directing | Mark S. Thomas | Script Supervisor |
| Art | Larry Navarro | Production Illustrator |
| Sound | Cathie Speakman | Sound Editor |
| Visual Effects | Frank 'Paco' Munoz | Special Effects Supervisor |
| Camera | Claudia Bailey | Second Assistant Camera |
| Camera | Scott Smith | Second Unit Director of Photography |
| Production | Adam Chuck | Post Production Coordinator |
| Sound | Gary Firth | Music Coordinator |
| Sound | Bob Waller | Sound Mixer |
| Crew | Bettie Kauffman | Special Effects Coordinator |
| Lighting | Mark Wells | Gaffer |
| Production | Beverly Wilson-Wilson | Extras Casting |
| Sound | Richard Marvin | Music Programmer |
| Sound | Frank McKelvey | Music Editor |
| Production | Patricia Balderas | Production Coordinator |
| Camera | Scott Howell | Key Grip |
