The spiritual and sexual coming of age of a Seventh-Day Adventist boy in 1950s Australia. Ken Elkin is a "randy young man" who is told that the world is about to end. In a race against time, there's only one goal Ken wants to accomplish: bedding the love of his life, who just happens to be the local pastor's daughter.
Art | Roger Ford | Production Design |
Costume & Make-Up | Roger Ford | Costume Design |
Costume & Make-Up | Paul Pattison | Makeup & Hair |
Art | Laurie Faen | Art Direction |
Camera | Geoff Burton | Director of Photography |
Art | John Osmond | Standby Property Master |
Camera | Leilani Hannah | Clapper Loader |
Sound | Jeanine Chiavlo | Dialogue Editor |
Lighting | Robbie Burr | Best Boy Electric |
Lighting | Ian Plummer | Gaffer |
Visual Effects | Roger Cowland | Visual Effects |
Directing | Bob Ellis | Director |
Writing | Bob Ellis | Writer |
Production | Roger Simpson | Executive Producer |
Editing | Henry Dangar | Editor |
Production | Anne Bruning | Production Manager |
Camera | Kathryn Milliss | Focus Puller |
Crew | Luke Quinton | Stunts |
Sound | Chris Neal | Music |
Crew | Tony Lynch | Stunts |
Production | Terry Jennings | Producer |
Production | Roger Le Mesurier | Executive Producer |
Costume & Make-Up | Louise Wakefield | Assistant Costume Designer |
Editing | Basia Ozerski | Assistant Editor |
Sound | Martin Oswin | Sound Mixer |
Sound | Martin Oswin | Foley Recordist |
Costume & Make-Up | Tina Gordon | Makeup Artist |
Art | Sandy Wingrove | Set Dresser |
Art | Catherine Silm | Assistant Art Director |
Crew | Eric Todd | Scenic Artist |
Production | Will Matthews | Unit Manager |
Directing | Robert Donaldson | First Assistant Director |
Production | Sandie Morris | Assistant Accountant |
Sound | Catherine Gross | Boom Operator |
Camera | Paul Smith | Assistant Grip |
Lighting | Nick De Laine | Electrician |
Production | Jennifer Des Champs | Production Secretary |
Lighting | Grant Atkinson | Electrician |
Sound | Peter Fenton | Sound Mixer |
Editing | Arthur Cambridge | Color Grading |
Costume & Make-Up | Trish Glover | Makeup & Hair |
Sound | Ron Purvis | Sound Mixer |
Directing | John Meredith | Second Assistant Director |
Production | Giles Lovell-Wilson | Publicist |
Production | Debbie Atkins | Production Coordinator |
Sound | Penn Robinson | Sound Effects Editor |
Camera | Robert McFarlane | Still Photographer |
Production | Maude Heath | Location Manager |
Camera | Simon Quaife | Key Grip |
Production | Dennis Hulm | Assistant Unit Manager |
Directing | Ian Hamilton | Third Assistant Director |
Art | Jock McLachlan | Set Dresser |
Art | Sara Probyn | Runner Art Department |
Art | Kate Wingrove | Art Department Assistant |
Sound | David Lee | Sound Recordist |
Sound | Mark Perry | Dialogue Editor |
Camera | David Hansen | Grip |
Production | Kate Finsterer | Extras Casting |
Directing | Nicola Moors | Continuity |
Production | Marianne Flynn | Production Accountant |
Production | Tom Read | Production Runner |