In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
You can now watch The Nightingale online on the following streaming providers in the United States.
| Production | Nikki Barrett | Casting |
| Production | Bruna Papandrea | Producer |
| Production | Steve Hutensky | Producer |
| Directing | Jennifer Kent | Director |
| Production | Jennifer Kent | Producer |
| Writing | Jennifer Kent | Writer |
| Production | Ben Browning | Executive Producer |
| Sound | Jed Kurzel | Original Music Composer |
| Production | Jim Everett | Associate Producer |
| Camera | Radek Ładczuk | Director of Photography |
| Costume & Make-Up | Margot Wilson | Costume Design |
| Art | Alex Holmes | Production Design |
| Art | Sophie Nash | Art Direction |
| Production | Aaron L. Gilbert | Executive Producer |
| Crew | Elene Pepper | Post Production Supervisor |
| Visual Effects | Marty Pepper | Visual Effects Supervisor |
| Costume & Make-Up | Larry Van Duynhoven | Prosthetic Supervisor |
| Costume & Make-Up | Sheldon Wade | Key Hair Stylist |
| Production | Kristina Ceyton | Producer |
| Editing | Simon Njoo | Editor |
| Production | Jason Cloth | Executive Producer |
| Sound | Jed M. Dodge | Dialogue Editor |
| Sound | Robert Mackenzie | Sound Designer |
| Costume & Make-Up | Nikki Gooley | Makeup Designer |
| Costume & Make-Up | Nikki Gooley | Makeup & Hair |
| Crew | Steve Daddow | Stunt Double |
| Crew | Philli Anderson | Stunt Double |
| Crew | Judd Wild | Stunt Coordinator |
| Production | Brenda Gilbert | Executive Producer |
| Sound | Tara Webb | Sound Effects Editor |
| Production | Andrew Pollack | Executive Producer |
| Sound | Leah Katz | Dialogue Editor |
| Directing | Chris Webb | First Assistant Director |
| Visual Effects | Evans Mark | Visual Effects |
| Crew | Genevieve Bevan-John | Pyrotechnician |
| Crew | Mick Corrigan | Stunt Double |
| Crew | Tim Riach | Special Effects |
| Production | Wade Savage | Production Manager |
| Visual Effects | Philip Fraschetti | Digital Compositor |
| Art | Christian Petersen | Set Decoration |
| Visual Effects | Srinivas Janapati | Visual Effects Coordinator |
| Visual Effects | Bryn Bayliss | Digital Compositor |
| Crew | Eucla Davies | Special Effects |
| Production | Amanda Crittenden | Line Producer |
| Costume & Make-Up | Edward Yates | Prosthetic Designer |
| Costume & Make-Up | Edward Yates | Prosthetic Makeup Artist |
| Sound | Dean Ryan | Sound Mixer |
| Visual Effects | Bree Whitford | Visual Effects Producer |
| Crew | Luke Davis | Stunt Double |
| Directing | Jay Corry | Third Assistant Director |
| Directing | Killian Maguire | Second Assistant Director |
| Visual Effects | Trent Adamczyk | Digital Compositor |
| Visual Effects | Jireh Canlas | Digital Compositor |
| Crew | Mark Harmon | Compositor |
| Visual Effects | Grant Lovering | Digital Compositor |
| Visual Effects | Thomas Maher | Digital Compositor |
| Visual Effects | Michael Majchrzak | Digital Compositor |
| Visual Effects | Dante Nou | Digital Compositor |
| Visual Effects | Marc Purnell | Matchmove Supervisor |
| Visual Effects | Steve Sexton | Digital Compositor |
| Visual Effects | David Smith | Visual Effects |
| Visual Effects | Paul Wicke | Digital Compositor |
| Sound | Danielle Adams | ADR Recordist |
| Crew | Brittany Morris | Stunt Double |
