Rachel arrives in New York from her Amish community intent on becoming a dancer. Unfortunately Billy Minsky's Burlesque is hardly the place for her Dances From The Bible. But the show's comedian Raymond sees a way of wrong-footing the local do-gooders by announcing the new Paris sensation "Mme Fifi" and putting on Rachel's performance as the place is raided. All too complicated, the more so since her father is scouring the town for her and both Raymond and his straight-man Chick are falling for Rachel.
Writing | Norman Lear | Screenplay |
Writing | Sidney Michaels | Screenplay |
Directing | William Friedkin | Director |
Writing | Arnold Schulman | Screenplay |
Editing | Ralph Rosenblum | Editor |
Production | Marion Dougherty | Casting |
Production | George Justin | Associate Producer |
Production | Norman Lear | Producer |
Editing | Pablo Ferro | Editor |
Sound | Charles Strouse | Music |
Writing | Rowland Barber | Novel |
Camera | Andrew Laszlo | Director of Photography |
Directing | Marguerite James | Script Supervisor |
Art | Jean Eckart | Production Design |
Art | William Eckart | Production Design |
Art | John Robert Lloyd | Art Direction |
Art | John Godfrey | Set Decoration |
Costume & Make-Up | Anna Hill Johnstone | Costume Design |
Costume & Make-Up | Irving Buchman | Makeup Artist |
Costume & Make-Up | Bob Grimaldi | Hairdresser |
Production | Jim Di Gangi | Production Manager |
Directing | Pablo Ferro | Second Unit Director |
Directing | Burtt Harris | Assistant Director |
Directing | Alan Hopkins | Second Assistant Director |
Art | Richard Adee | Set Dresser |
Crew | Edward Garzero | Scenic Artist |
Art | Donald Holtzman | Property Master |
Sound | Charles Strouse | Songs |
Writing | Lee Adams | Lyricist |