The body of a young actress is brought to her home town by the man who loved her. He knows that she wanted all the church bells to ring for three days after she was buried, but is told that this will cost a lot of money. The checks that he writes to the various churches all bounce, but it is the weekend and, in desperation, he prays that a miracle will happen before the banks reopen. It does, but not in the way he hoped.
| Directing | Irving Pichel | Director |
| Writing | Quentin Reynolds | Screenplay |
| Writing | Ben Hecht | Screenplay |
| Costume & Make-Up | Karl Herlinger | Makeup Artist |
| Production | Fred Fleck | Production Manager |
| Camera | Charles Burke | Camera Operator |
| Camera | Ralph Wildman | Grip |
| Art | Ralph Berger | Art Direction |
| Art | Albert S. D'Agostino | Art Direction |
| Directing | Harry D'Arcy | Assistant Director |
| Sound | Philip Mitchell | Sound |
| Writing | Russell Janney | Novel |
| Crew | DeWitt Bodeen | Additional Dialogue |
| Sound | Leigh Harline | Original Music Composer |
| Art | Darrell Silvera | Set Decoration |
| Sound | Clem Portman | Sound |
| Directing | Joan Davis | Script Supervisor |
| Production | Jesse Lasky Jr. | Producer |
| Production | Walter MacEwen | Producer |
| Costume & Make-Up | Gordon Bau | Makeup Supervisor |
| Costume & Make-Up | Renié | Costume Design |
| Crew | Charles O'Curran | Choreographer |
| Directing | Julia Marcia Davies | Script Supervisor |
| Art | Harley Miller | Set Decoration |
| Crew | Russell A. Cully | Special Effects |
| Editing | Elmo Williams | Editor |
| Camera | Robert De Grasse | Director of Photography |
| Camera | Rod Tolmie | Still Photographer |
| Crew | Clifford Stine | Special Effects |
| Sound | C. Bakaleinikoff | Music Director |
| Costume & Make-Up | Annabell Levy | Hairstylist |
| Sound | Jule Styne | Songs |
| Writing | Sammy Cahn | Lyricist |
