A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.
Directing | Paul Harrison | Director |
Editing | Peter Parasheles | Editor |
Production | Gary Kent | Associate Producer |
Production | Thomas J. Kelly | Associate Producer |
Sound | Lee Alexander | Sound Mixer |
Directing | Hannah Scheel | Script Supervisor |
Editing | Mary McGlone | Assistant Editor |
Lighting | Ray Dorn Jr. | Gaffer |
Sound | Dick Baxter | Sound Effects Editor |
Lighting | Joe Dorn | Best Boy Electric |
Production | Paul Harrison | Producer |
Camera | Don Jones | Director of Photography |
Camera | Tom Kantrude | First Assistant Camera |
Production | Paul Lewis | Producer |
Camera | Steve Moon | Grip |
Art | Ronald Víctor García | Art Direction |
Writing | Thomas J. Kelly | Writer |
Directing | Marty Hornstein | Assistant Director |
Production | Dayton A. Smith | Executive Producer |
Writing | Paul Harrison | Writer |
Costume & Make-Up | Ron Foreman | Makeup Artist |
Production | Gary Kent | Production Manager |
Art | John Klotz | Props |