Lt. Fergie Howard teams up with Lt. Beau Gilliam and Navy scientist Jason Eldridge to turn a supercomputer with missile-tracking capabilities into a tool to predict where a roulette ball will land. They dock in Venice, Italy, and begin making a killing at the casino, but their shore-to-ship signals get misinterpreted as signs of attack by Adm. Fitch, putting a serious crimp in the officers' get-rich-quick scheme.
| Writing | Lorenzo Semple Jr. | Theatre Play |
| Writing | George Wells | Writer |
| Directing | Richard Thorpe | Director |
| Art | Henry Grace | Set Decoration |
| Sound | Leigh Harline | Original Music Composer |
| Art | Jerry Wunderlich | Set Decoration |
| Production | Lawrence Weingarten | Producer |
| Art | E. Preston Ames | Art Direction |
| Camera | Joseph LaShelle | Director of Photography |
| Costume & Make-Up | Helen Rose | Costume Design |
| Editing | Ben Lewis | Editor |
| Art | George W. Davis | Art Direction |
| Costume & Make-Up | Mary Keats | Hairstylist |
| Costume & Make-Up | John Truwe | Makeup Artist |
| Costume & Make-Up | William Tuttle | Makeup Artist |
| Directing | Ronald Florance | Assistant Director |
| Sound | Franklin Milton | Recording Supervision |
| Crew | Robert R. Hoag | Special Effects |
| Crew | Lee LeBlanc | Special Effects |
