Cleve Marshall, an assistant district attorney, falls for Thelma Jordon, a mysterious woman with a troubled past. When Thelma becomes a suspect in her aunt's murder, Cleve tries to clear her name.
Directing | Robert Siodmak | Director |
Writing | Ketti Frings | Screenplay |
Camera | George Barnes | Director of Photography |
Production | Hal B. Wallis | Producer |
Sound | Victor Young | Original Music Composer |
Writing | Marty Holland | Story |
Directing | Francisco Day | Assistant Director |
Art | Bertram C. Granger | Set Decoration |
Production | Curtis Mick | Production Manager |
Sound | Walter Oberst | Sound Recordist |
Sound | Van Cleave | Orchestrator |
Sound | George Parrish | Orchestrator |
Camera | Mal Bulloch | Still Photographer |
Costume & Make-Up | Dorothy Cole | Hairstylist |
Camera | Doug Turnmire | Grip |
Art | Sam Comer | Set Decoration |
Crew | Gordon Jennings | Special Effects |
Camera | John F. Warren | Camera Operator |
Sound | Leo Shuken | Orchestrator |
Art | A. Earl Hedrick | Art Direction |
Sound | M.A. Boyce | Sound Recordist |
Lighting | Howard Kelly | Gaffer |
Editing | Warren Low | Supervising Editor |
Sound | Leonid Raab | Orchestrator |
Art | Hans Dreier | Art Direction |
Costume & Make-Up | Joe Stinton | Makeup Artist |
Art | Arthur Camp | Props |
Crew | Atus P. Reuther | Technical Advisor |
Directing | Irving H. Cooper | Script Supervisor |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
Camera | Darrell Turnmire | Grip |
Costume & Make-Up | Robert Ewing | Makeup Artist |
Art | Harold Worthington | Props |
Sound | Harry Lindgren | Sound Recordist |
Sound | Sidney Cutner | Orchestrator |
Visual Effects | Farciot Edouart | Visual Effects |
Costume & Make-Up | Edith Head | Costume Design |
Directing | Irving Cooper | Script Supervisor |