Marty Fine is a small-time man with a big-time dream. One night, the ex-middleweight fighter sees something he shouldn't have - a mob hit. An old gangster offers a deal: Marty can save his own skin by committing a murder, or be killed himself. When push comes to shove, Marty can't kill the mark, a scamming club owner. Now the clock is ticking and Marty is on the ropes, with one last chance to prove he is still a man with a choice.
| Production | Shana Landsburg | Casting |
| Sound | Dave Stringer | Original Music Composer |
| Sound | Greg Ellis | Original Music Composer |
| Crew | Shony Alex Braun | Additional Music |
| Art | Douglas Martin | Title Designer |
| Costume & Make-Up | Grania Preston | Costume Design |
| Art | Jo-Ann Chorney | Production Design |
| Editing | Gabriella Christiani | Supervising Editor |
| Editing | Lee Grubin | Editor |
| Editing | Tammis Chandler | Editor |
| Editing | Barbara J. Boguski | Editor |
| Camera | Melinda Sue Gordon | Director of Photography |
| Writing | Michael Hacker | Writer |
| Writing | Mark Ruffalo | Writer |
| Writing | Mark Ruffalo | Story |
| Production | Jeffrey Miller | Producer |
| Directing | Michael Hacker | Director |
| Production | Mark Ruffalo | Co-Producer |
| Production | Jeffrey S. Tuttle | Associate Producer |
| Art | Martin Charles | Art Direction |
| Production | Jennifer Klein | Production Coordinator |
| Directing | Jain Sekuler | Script Supervisor |
| Lighting | James Mark McEwen | Lighting Supervisor |
| Lighting | Red Sinclair | Gaffer |
| Lighting | Michael Graef | Best Boy Electric |
| Camera | Mark Mayer | Key Grip |
| Camera | Adam Forgash | Best Boy Grip |
| Art | Isabelle Stamper | Set Decoration |
| Costume & Make-Up | Sarabeth Tucek | Wardrobe Supervisor |
| Costume & Make-Up | Virginia Burton | Wardrobe Assistant |
| Costume & Make-Up | Holyce Fagerhaugh | Wardrobe Assistant |
| Costume & Make-Up | Suzanne Diaz | Makeup Supervisor |
| Costume & Make-Up | Julie Rott | Makeup Artist |
| Editing | Carine Rozenberg | Assistant Editor |
| Editing | Lisa Ann Glass | Assistant Editor |
| Sound | John H. Gilman | Production Sound Mixer |
| Sound | Charles Kelly | Production Sound Mixer |
| Sound | Manny Leyva | Boom Operator |
| Sound | Mac Ruth | Boom Operator |
| Sound | Michael Faba | Boom Operator |
| Directing | Kris Homsher | Second Assistant Director |
| Camera | Jack Glenn | Steadicam Operator |
| Camera | Layna McCallister | First Assistant Camera |
| Camera | Linda Brown | First Assistant Camera |
| Camera | Mollie Mallinger Helfand | First Assistant Camera |
| Camera | Collin Davis | First Assistant Camera |
| Camera | David Sanchez | First Assistant Camera |
| Camera | Carisa Kaplan | First Assistant Camera |
| Camera | Steve Harshfield | Second Assistant Camera |
| Camera | Angela Soriano | Second Assistant Camera |
| Camera | Bill Robinson | Second Assistant Camera |
| Camera | Anne Gentling | Second Assistant Camera |
| Camera | Nathan Berggren | Second Assistant Camera |
| Camera | Sandra Alvarez | Second Assistant Camera |
| Camera | Suzanne Hanover | Still Photographer |
| Camera | Melissa Moseley | Still Photographer |
| Art | Suha Yaziji Scurich | Set Dresser |
| Art | Patrick Plamondon | Assistant Set Dresser |
| Art | Diane Grayson | On Set Props |
| Production | Michele Lamb | Assistant Production Coordinator |
| Sound | Rick Norman | Sound Re-Recording Mixer |
| Sound | Loretta Higgins | Music Editor |
| Sound | Sharal Churchill | Music Supervisor |
| Sound | Cameron Stone | Original Music Composer |
| Editing | Frances Solis | Negative Cutter |