Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.
Camera | Conrad L. Hall | Director of Photography |
Directing | John Schlesinger | Director |
Writing | Nathanael West | Novel |
Sound | John Barry | Original Music Composer |
Writing | Waldo Salt | Screenplay |
Art | George James Hopkins | Set Decoration |
Art | John J. Lloyd | Art Direction |
Production | Marion Dougherty | Casting |
Editing | Jim Clark | Editor |
Art | Richard Macdonald | Production Design |
Art | Dan Perri | Title Designer |
Production | Sheldon Schrager | Unit Production Manager |
Crew | Phil Adams | Stunt Coordinator |
Production | Sheldon Schrager | Associate Producer |
Sound | David Campling | Sound Editor |
Visual Effects | Albert Whitlock | Visual Effects |
Production | Dianne Crittenden | Casting |
Costume & Make-Up | Del Armstrong | Makeup Designer |
Costume & Make-Up | Lynn Del Kail | Hair Designer |
Crew | Tim Smyth | Special Effects |
Directing | Karen Hale Wookey | Script Supervisor |
Sound | Gerry Humphreys | Sound Mixer |
Production | Michael Childers | Associate Producer |
Crew | Marge Champion | Choreographer |
Directing | Tim Zinnemann | Assistant Director |
Production | Jerome Hellman | Producer |
Lighting | Richard Martens | Gaffer |
Sound | Tom Overton | Sound Recordist |
Costume & Make-Up | Ann Roth | Costume Designer |
Camera | Dave Friedman | Still Photographer |
Camera | Thomas Laughridge | Camera Operator |
Crew | Michael Maslansky | Unit Publicist |
Art | Allan Gordon | Property Master |
Crew | Jeannie Epper | Stunts |
Crew | Gene LeBell | Stunts |