In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.
You can now watch The Children Act online on the following streaming providers in the United States.
| Directing | Richard Eyre | Director |
| Writing | Ian McEwan | Writer |
| Production | Duncan Kenworthy | Producer |
| Sound | Stephen Warbeck | Original Music Composer |
| Art | Sue Whitaker | Art Direction |
| Production | Joe Oppenheimer | Executive Producer |
| Production | Ben Browning | Executive Producer |
| Art | Sara Wan | Set Decoration |
| Costume & Make-Up | Fotini Dimou | Costume Design |
| Art | Peter Francis | Production Design |
| Camera | Andrew Dunn | Director of Photography |
| Production | Charles Moore | Executive Producer |
| Production | Beth Pattinson | Executive Producer |
| Production | Glen Basner | Executive Producer |
| Art | Darren Tubby | Art Direction |
| Editing | Dan Farrell | Editor |
| Sound | Adam Bourne | Foley Editor |
| Sound | Mark Heslop | Sound Effects Editor |
| Sound | Emilie O'Connor | ADR & Dubbing |
| Camera | Elliot Purvis | Second Assistant "A" Camera |
| Editing | Helena Evans | First Assistant Editor |
| Production | Nina Gold | Casting |
| Costume & Make-Up | Naomi Donne | Makeup & Hair |
| Directing | Nic Pringle | Third Assistant Director |
| Art | Noel Cowell | Property Master |
| Sound | Glen Gathard | Foley Mixer |
| Visual Effects | Steve Street | Visual Effects Supervisor |
| Camera | Andrew Dunn | Camera Operator |
| Camera | Peter Ayriss | Drone Pilot |
| Production | Chris Brewer | Unit Manager |
| Sound | Stephen Warbeck | Orchestrator |
| Sound | Brendan Nicholson | Sound Re-Recording Mixer |
| Camera | Nick Wall | Still Photographer |
| Sound | Terry Davies | Conductor |
| Art | Jono Moles | Construction Manager |
| Sound | Jemma Riley-Tolch | Foley Editor |
| Costume & Make-Up | Rebecca Cole | Makeup & Hair |
| Directing | Neil Wallace | First Assistant Director |
| Art | Lucy Moles | Construction Coordinator |
| Art | Matt Curtis | Title Designer |
| Directing | George Batchelor | Third Assistant Director |
| Art | Frances Bennett | Graphic Designer |
| Sound | Nick Freemantle | Sound Effects Editor |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Production | Martin Ware | Casting Associate |
| Production | Paul Tomlinson | Location Manager |
| Art | Astrid Sieben | Supervising Art Director |
| Art | Roya Fraser | Assistant Set Decoration |
| Directing | Susanna Lenton | Script Supervisor |
| Crew | Gisela Evert | Post Production Supervisor |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Camera | Sebastian Barraclough | First Assistant "B" Camera |
| Crew | Emma Davie | Unit Publicist |
| Camera | Helen Fraser | Second Assistant Camera |
| Camera | Ossie McLean | Steadicam Operator |
| Costume & Make-Up | Tessa Phillips | Costume Supervisor |
| Production | Jannika Öberg | Production Coordinator |
| Production | Monique Mussell | Production Manager |
| Sound | Peter Burgis | Foley Artist |
| Costume & Make-Up | Ann Taylor | Assistant Costume Designer |
| Costume & Make-Up | Doone Forsyth | Makeup & Hair |
| Sound | Gillian Dodders | Dialogue Editor |
| Production | Celia Duval | Co-Producer |
| Lighting | David Tyler | Gaffer |
| Sound | Andrew Glen | Music Editor |
| Production | Arron Cuthbertson | Extras Casting |
