A genie tends to get his master into more predicaments than he gets him out of.
| Writing | F. Anstey | Novel |
| Directing | Harry Keller | Director |
| Writing | Oscar Brodney | Screenplay |
| Art | Solly Martino | Props |
| Crew | Roswell A. Hoffmann | Special Effects |
| Camera | Rollie Lane | Still Photographer |
| Production | Robert Arthur | Producer |
| Sound | Bernard Green | Music |
| Camera | Clifford Stine | Director of Photography |
| Editing | Ted J. Kent | Editor |
| Art | Henry Bumstead | Art Direction |
| Art | Alexander Golitzen | Art Direction |
| Art | Oliver Emert | Set Decoration |
| Costume & Make-Up | Rosemary Odell | Costume Design |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Production | Norman Deming | Unit Production Manager |
| Production | Edward Muhl | Production Manager |
| Directing | Joseph E. Kenney | Assistant Director |
| Directing | Carl Beringer | Assistant Director |
| Sound | Waldon O. Watson | Sound |
| Sound | Frank H. Wilkinson | Sound |
| Sound | Joseph Gershenson | Music Supervisor |
| Crew | Harold Belfer | Choreographer |
| Crew | Harold Goodwin | Dialogue Coach |
