Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…
| Directing | José Luis Cuerda | Director |
| Editing | José María Almela | Assistant Editor |
| Camera | Hans Burmann | Director of Photography |
| Camera | Matías Nieto | Still Photographer |
| Sound | Ricardo Steinberg | Sound |
| Writing | José Luis Cuerda | Screenplay |
| Art | Balter Gallart | Production Design |
| Production | Fernando Bovaira | Producer |
| Costume & Make-Up | Fermín Galán | Hair Department Head |
| Visual Effects | Carlos Trijueque | Digital Compositors |
| Production | José Luis Cuerda | Producer |
| Editing | Nacho Ruiz Capillas | Editor |
| Costume & Make-Up | Sylvie Imbert | Makeup Artist |
| Art | Ramón Moya | Construction Foreman |
| Sound | María Steinberg | Sound Editor |
| Visual Effects | Thorsten Rienth | Digital Compositors |
| Camera | Ramiro Sabell | First Assistant Camera |
| Camera | Julio Madurga | Camera Operator |
| Art | José Luis Moya | Construction Coordinator |
| Crew | Jordi Morera | Special Effects |
| Production | Emiliano Otegui | Production Manager |
| Sound | Lucio Godoy | Original Music Composer |
| Directing | Glòria Blanes | Script Supervisor |
| Production | Juan Alén | Associate Producer |
| Production | Simón de Santiago | Executive Producer |
| Sound | Tamara Arévalo | Sound |
| Production | Luis San Narciso | Casting |
| Sound | Ricardo Viñas | Dolby Consultant |
| Crew | Fernando Méndez-Leite | Thanks |
| Costume & Make-Up | Sonia Grande | Costume Design |
| Crew | Pablo Perona | Special Effects |
| Writing | Alberto Méndez | Writer |
| Writing | Rafael Azcona | Writer |
