While trying to get their lives back on track after the loss of their four year old son, Bryn and Paul Shaw move to the charming old Beacon Apartments. Bryn begins seeing a ghostly little boy skulking around the building. With the help of an eccentric young professor and a tough old beat cop, Bryn tries to uncover the details of the boy's death.
| Writing | Michael Stokes | Writer |
| Directing | Michael Stokes | Director |
| Directing | Eve Butterly | Script Supervisor |
| Sound | David Barbee | Sound Designer |
| Visual Effects | Kurt McKeever | Visual Effects |
| Camera | Don Reddy | Director of Photography |
| Costume & Make-Up | Susan Gaedke McGill | Costume Supervisor |
| Art | Eric Whitney | Production Design |
| Costume & Make-Up | Janet Henry Gershenfeld | Set Costumer |
| Camera | Allan Westbrook | Camera Operator |
| Production | Sally Helppie | Producer |
| Visual Effects | Tom Kendall | Visual Effects Producer |
| Camera | Bill Matlock | Still Photographer |
| Costume & Make-Up | Janet Lucas Lawler | Costume Design |
| Crew | Jason Hammond | Property Master |
| Sound | Andy D'Addario | Sound Re-Recording Mixer |
| Art | Hilary Kinzler | Art Department Assistant |
| Crew | Marin Rose | Choreographer |
| Production | Kathleen Helppie-Shipley | Co-Producer |
| Production | Mary Margiotta | Casting |
| Camera | Kristopher Hardy | First Assistant Camera |
| Costume & Make-Up | Liz McCracken | Key Hair Stylist |
| Editing | Stephen Lovejoy | Editor |
| Camera | Brice Reid | First Assistant Camera |
| Crew | Frank Ceglia | Special Effects Coordinator |
| Production | Karen Margiotta | Casting |
| Production | Chris Seay | Casting |
| Sound | John Majkut | Music |
| Sound | Paul Longstaffe | Dialogue Editor |
