Con man Ray Elliot decides to leave crime behind to start a company that sells fake alibis to clients who have been unfaithful to their significant others. It seems that the streetwise Ray has found his calling, until he unexpectedly becomes a murder suspect in a case involving one of his most influential customers. Now, as the police and an assassin called "The Mormon" track Ray, he and his attractive assistant, Lola, must clear their own names.
| Directing | Matt Checkowski | Director |
| Sound | Alexandre Desplat | Original Music Composer |
| Editing | Amy E. Duddleston | Editor |
| Production | Douglas Hansen | Executive Producer |
| Writing | Noah Hawley | Writer |
| Production | James D. Stern | Producer |
| Production | Erik Feig | Producer |
| Production | Paul Hellerman | Producer |
| Production | David Garrett | Executive Producer |
| Directing | Kurt Mattila | Director |
| Production | Julia Eisenman | Executive Producer |
| Production | Bob Hayward | Executive Producer |
| Production | Patrick Wachsberger | Producer |
| Editing | James Haygood | Editor |
| Camera | Enrique Chediak | Director of Photography |
| Production | Mindy Marin | Casting |
| Production | Adrienne Biddle | Co-Producer |
| Art | Betty Berberian | Set Decoration |
| Production | Andrew Matosich | Associate Producer |
| Costume & Make-Up | Christopher Lawrence | Costume Design |
| Costume & Make-Up | Gigi Williams | Key Makeup Artist |
| Costume & Make-Up | Carrey Gibbons | Makeup Artist |
| Costume & Make-Up | Emjay Olson | Key Hair Stylist |
| Art | Ray Yamagata | Art Direction |
| Production | Mindy Marin | Co-Producer |
| Art | Jerry Fleming | Production Design |
| Crew | Steve M. Davison | Stunt Coordinator |
