In the nineteenth film in the series, in May 1919, Indy is working as a translator at the historic Paris Peace Conference. He meets up with T.E. Lawrence once more, but finds his ideals have changed a lot since the start of the war. Indy then decides to finally head home to Princeton - even though it means having to face his father. He gets reacquainted with his childhood friend Paul Robeson, who becomes the target of racism when they visit New York City.
Production | George Lucas | Executive Producer |
Production | Rick McCallum | Producer |
Production | Janet Hirshenson | Casting |
Camera | Giles Nuttgens | Director of Photography |
Production | Jane Jenkins | Casting |
Production | Roger Mussenden | Casting |
Camera | David Tattersall | Director of Photography |
Directing | David Hare | Director |
Production | Karen Lindsay-Stewart | Casting |
Art | Peter Walpole | Set Decoration |
Editing | Paul Martin Smith | Editor |
Art | Gavin Bocquet | Production Design |
Costume & Make-Up | Trisha Biggar | Costume Design |
Writing | Jonathan Hales | Screenplay |
Art | Karel Vacek | Art Direction |
Editing | Louise Rubacky | Editor |
Art | Mark Geraghty | Art Direction |
Sound | Joel McNeely | Original Music Composer |
Sound | Laurence Rosenthal | Original Music Composer |
Art | Ricky Eyres | Production Design |
Art | Ricky Eyres | Art Direction |
Directing | Michael Schultz | Director |
Editing | Pat Hay | Editor |
Costume & Make-Up | Charlotte Holdich | Costume Design |
Production | George Konicek | Casting |
Art | Rosalind Shingleton | Set Decoration |