A surrealistic anthology of horror films; four segments structured as an intense fever dream...
| Directing | Karim Hussain | Director |
| Production | Mitch Davis | Producer |
| Editing | Karim Hussain | Editor |
| Camera | Karim Hussain | Camera Operator |
| Crew | Adrien Morot | Makeup Effects |
| Crew | Pat Tremblay | Makeup Effects |
| Camera | Rob Cotterill | Grip |
| Sound | Karim Hussain | Sound Editor |
| Crew | C.J. Goldman | Special Effects |
| Crew | Philippe Spurrell | Projection |
| Camera | Mitch Davis | Still Photographer |
| Directing | Julien Fonfrede | Second Assistant Director |
| Crew | André Gaul | Makeup Effects |
| Camera | Julien Fonfrede | Dolly Grip |
| Crew | Bruno Gatien | Makeup Effects |
| Directing | Pat Tremblay | First Assistant Director |
| Crew | Karim Hussain | Cinematography |
| Costume & Make-Up | Patrick St-Pierre | Makeup Artist |
| Art | Patricia McNeil | Art Direction |
| Crew | Karim Hussain | Makeup Effects |
| Directing | Mitch Davis | Second Assistant Director |
| Art | Xavier Georges | Set Designer |
| Camera | Pat Tremblay | Dolly Grip |
| Sound | Teruhiko Suzuki | Music Director |
| Sound | David Kristian | Sound Mixer |
| Camera | Julien Fonfrede | Grip |
| Directing | Pat Tremblay | Assistant Director |
| Costume & Make-Up | Christian Fuica | Set Dressing Production Assistant |
| Production | Alex Chisholm | Production Manager |
| Lighting | Françoise Lavoie-Pilote | Electrician |
| Camera | Karim Hussain | Director of Photography |
| Editing | Claudine Blain | Negative Cutter |
| Camera | Pat Tremblay | Grip |
| Directing | Sonia Capogreco | Continuity |
| Production | Christin Feldmann | Production Manager |
| Crew | Francisco Lorenjo | Production Office Assistant |
| Crew | Guy Lahaie | Production Office Assistant |
| Crew | Steve Stone | Production Office Assistant |
| Costume & Make-Up | Gail Mockler | Makeup Artist |
| Production | Benoît Marin | Production Supervisor |
| Lighting | Sonia Capogreco | Electrician |
| Lighting | Gilgamesh Fuica | Electrician |
| Art | Christian Fuica | Construction Coordinator |
| Crew | Claude-Francois Britto | Production Office Assistant |
| Production | Jesse Simpson | Production Accountant |
| Art | Sonia Capogreco | Art Direction |
| Crew | Luke Poudrier | Makeup Effects |
| Camera | Anne-Marie Belley | Grip |
| Lighting | François Bourdon | Gaffer |
| Writing | Karim Hussain | Screenplay |
| Production | Patrick Des Islets | Casting |
| Crew | Mike Minicucci | Makeup Effects |
| Art | Chantal Zapia | Prop Designer |
| Camera | Joel Boily | Grip |
| Camera | André Abou-Jaoude | Camera Technician |
| Crew | Benoît Boucher | Cinematography |
| Crew | François Bourdon | Cinematography |
| Art | Joel Boily | Construction Coordinator |
| Costume & Make-Up | Adrien Morot | Makeup Effects Designer |
| Crew | Cliff Baker | Production Office Assistant |
| Costume & Make-Up | Benoît Boucher | Key Set Costumer |
| Directing | Scott Noonan | Second Assistant Director |
| Sound | Karim Hussain | Sound Mixer |
| Editing | Vladimir Zabransky | Color Timer |
| Crew | Sabry Tchanderly | Production Office Assistant |
| Crew | Yuko Nakahata | Thanks |
| Costume & Make-Up | Richard Terry | Set Dressing Production Assistant |
| Crew | Teruhiko Suzuki | Thanks |
| Crew | Junji Kaiho | Thanks |
| Crew | David Kristian | Special Sound Effects |
