Notorious outlaw Clay Anderson and gang rob the town bank and flee in separate directions. Riding hard, Clay's horse goes lame and he is forced to pull-up at a nearby farm. He soon discovers that the place belongs to local preacher Hollis Jarret, his new wife, and a son from a previous marriage. Clay, posing as a weary traveler, tries to insinuate himself into a secure hideout, but the reverend isn't fooled. He agrees to allow Clay to remain at the farm for a few days, but his motive isn't the preservation of his family's safety. Hollis reasons that, with time, patience and a lot of faith, he can convince the outlaw to turn over a new leaf. But Clay's criminal tendencies may run deeper than the preacher had imagined
| Sound | R. Dale Butts | Original Music Composer |
| Art | John McCarthy Jr. | Set Decoration |
| Art | George Milo | Set Decoration |
| Directing | William Witney | Director |
| Camera | Bud Thackery | Director of Photography |
| Costume & Make-Up | Adele Palmer | Costume Design |
| Crew | Howard Lydecker | Special Effects |
| Sound | Dick Tyler Sr. | Sound Designer |
| Sound | Howard Wilson | Sound Designer |
| Editing | Howard A. Smith | Editor |
| Art | Frank Arrigo | Art Direction |
| Writing | Barry Shipman | Screenplay |
| Crew | Theodore Lydecker | Special Effects |
| Costume & Make-Up | Bob Mark | Makeup Artist |
| Production | Sidney Picker | Producer |
| Writing | Barry Shipman | Story |