Set in the year 1999 during the last days of the old millennium, the movie tells the story of Lenny Nero, an ex-cop who now deals with data-discs containing recorded memories and emotions. One day he receives a disc which contains the memories of a murderer killing a prostitute. Lenny investigates and is pulled deeper and deeper in a whirl of blackmail, murder and rape. Will he survive and solve the case?
| Production | Steven-Charles Jaffe | Producer |
| Sound | Gary Rydstrom | Sound Designer |
| Sound | Gary Rydstrom | Sound Re-Recording Mixer |
| Sound | Graeme Revell | Original Music Composer |
| Camera | Matthew F. Leonetti | Director of Photography |
| Production | Richard Pagano | Casting |
| Writing | James Cameron | Screenplay |
| Production | James Cameron | Producer |
| Writing | James Cameron | Story |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Directing | Kathryn Bigelow | Director |
| Writing | Jay Cocks | Screenplay |
| Art | Lilly Kilvert | Production Design |
| Art | John Warnke | Art Direction |
| Art | Kara Lindstrom | Set Decoration |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Sound | Cary Weitz | Boom Operator |
| Production | Sharon Bialy | Casting |
| Sound | Dan Engstrom | Assistant Sound Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Tony Eckert | Foley Recordist |
| Sound | Tim Holland | Sound Effects Editor |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Crew | Terry D. Frazee | Special Effects Coordinator |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Editing | Howard E. Smith | Editor |
| Camera | J. Michael Muro | Steadicam Operator |
| Production | Rae Sanchini | Executive Producer |
| Costume & Make-Up | Michael F. Blake | Makeup Artist |
| Costume & Make-Up | Robert L. Stevenson | Hair Department Head |
| Production | Lawrence Kasanoff | Executive Producer |
| Production | Debi Manwiller | Casting |
| Crew | Chuck Weiss | Video Assist Operator |
| Art | Patrick Cassidy | Leadman |
| Production | Ira Shuman | Co-Producer |
| Crew | Susan Hegarty | Dialect Coach |
| Visual Effects | Kara Stephens | Visual Effects Coordinator |
| Production | Deborah Ricketts | Researcher |
| Sound | Joshua Winget | Music Editor |
| Crew | Kevin LaRosa | Pilot |
| Production | Kenneth Chamitoff | Extras Casting |
| Sound | Phil Benson | Sound Effects Editor |
| Crew | Craig Caton | Special Effects Assistant |
| Costume & Make-Up | Kathy W. Estocin | Hair Designer |
| Sound | Don Coufal | Boom Operator |
| Visual Effects | Mike Chambers | Visual Effects Producer |
| Art | Christopher S. Nushawg | Assistant Art Director |
| Costume & Make-Up | Tristan Paris Bourne | On Set Dresser |
| Art | Andrea Mae Fenton | Assistant Set Decoration |
| Art | Gregory P. Alcus | Set Dresser |
| Production | Melissa M. Thomas | Casting |
| Costume & Make-Up | Linda Grimes | Makeup Department Head |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Sound | Lora Hirschberg | Assistant Sound Designer |
| Costume & Make-Up | Michael Germain | Makeup Supervisor |
| Crew | Robert "Duckie" Carpenter | Choreographer |
| Crew | Randy L. Childs | Propmaker |
| Sound | Frank E. Eulner | Sound Effects Editor |
| Camera | Mike Cameron | Camera Operator |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Visual Effects | Pablo Helman | Digital Compositor |
| Visual Effects | Patrick Shearn | Visual Effects Supervisor |
| Crew | Karen E. Goulekas | Digital Effects Supervisor |
| Visual Effects | Leslie Huntley | Visual Effects Producer |
| Visual Effects | Edson Williams | Digital Compositor |
| Sound | Hugh Waddell | ADR Editor |
| Art | Erik L. Nelson | Property Master |
| Visual Effects | Janek Sirrs | Visual Effects |
| Art | Tommy Samona | Set Dresser |
| Sound | Andre Fenley | Assistant Sound Editor |
| Sound | Marian Wilde | ADR Editor |
| Sound | Barbara McBane | Dialogue Editor |
| Visual Effects | Gene Warren Jr. | Special Effects Supervisor |
| Sound | Scott Guitteau | Assistant Sound Editor |
| Camera | Philip C. Pfeiffer | Second Unit Director of Photography |
| Crew | Shannon Leigh Olds | Visual Effects Editor |
| Crew | David Schmalz | Video Assist Operator |
| Lighting | Tim Marshall | Best Boy Electric |
| Crew | Allen Cappuccilli | Visual Effects Editor |
| Sound | Claire Sanfilippo | Dialogue Editor |
| Sound | Tom Barwick | Foley Artist |
| Sound | Lindakay Brown | Assistant Sound Editor |
| Camera | Bing Sokolsky | Additional Director of Photography |
| Camera | Rick Harris | Grip |
| Visual Effects | James Lima | Visual Effects Supervisor |
| Editing | Anthony Bozanich | Assistant Editor |
| Sound | Jeff Wexler | Sound |
| Camera | Randy Feemster | Camera Operator |
| Sound | Randy Gerston | Music Producer |
| Lighting | Pat Blymyer | Chief Lighting Technician |
| Sound | Sara Bolder | Dialogue Editor |
| Lighting | James Keys | Rigging Gaffer |
| Sound | Clare C. Freeman | Dialogue Editor |
| Sound | Patty von Arx | Music Editor |
| Sound | David M. Ronne | Sound |
| Camera | Glenn Brown | Assistant Camera |
| Sound | Marcie Romano | Assistant Sound Editor |
| Sound | Mary Helen Leasman | Foley Editor |
| Camera | Paul Santoni | Camera Loader |
| Camera | Casey Jones | Dolly Grip |
| Camera | Al LaVerde | Grip |
| Art | Len Morganti | Storyboard Artist |
| Crew | Peter McKernan | Pilot |
| Lighting | Mike Weathers | Chief Lighting Technician |
| Crew | Rick Shuster | Pilot |
| Lighting | Wayne Marshall | Electrician |
| Sound | Susan Popovic | Assistant Sound Editor |
| Sound | David Franklin Bergad | Assistant Sound Editor |
| Crew | Eugene Crum | Special Effects Assistant |
| Lighting | Scott C. Keys | Lighting Technician |
| Visual Effects | Jerry Hall | Digital Compositor |
| Camera | Michael D. Weldon | First Assistant Camera |
| Art | Michael Marcus | Art Designer |
| Camera | Aldo Antonelli | Camera Operator |
| Art | Kai Blomberg | Set Dresser |
| Art | Kenneth Sayers | Set Dresser |
| Camera | Mark Santoni | Second Assistant Camera |
| Camera | Dan Reilly | Key Grip |
| Costume & Make-Up | Yvette Ammon | Costumer |
| Lighting | R. Derek Keener | Best Boy Electric |
| Camera | Nick Shuster | Second Assistant "A" Camera |
| Camera | Rick Pratt | Grip |
| Crew | Scott Lingard | Special Effects Technician |
| Art | Eric Upshur | Props |
| Art | Doug Sieck | Set Dresser |
| Visual Effects | Ethan Ormsby | Digital Compositor |
| Visual Effects | Amy Jupiter | Digital Effects Producer |
| Visual Effects | Tony Meagher | Visual Effects Coordinator |
| Crew | James S. Trois | Special Effects |
| Camera | John Busch | Camera Operator |
| Lighting | Jackie Hamilton | Electrician |
| Camera | Christopher Moreman | First Assistant Camera |
| Editing | Bambi Sickafoose | First Assistant Editor |
| Sound | Blake Martin Moulin | Music Editor |
| Crew | Bertram McCann | Marine Coordinator |
| Production | David S. Grant | Associate Producer |
