Frank Corvin, ‘Hawk’ Hawkins, Jerry O'Neill and ‘Tank’ Sullivan were hotdog members of Project Daedalus, the Air Force's test program for space travel, but their hopes were dashed in 1958 with the formation of NASA and the use of trained chimps. They blackmail their way into orbit when Russia's mysterious ‘Ikon’ communications satellite's orbit begins to degrade and threatens to crash to Earth.
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| Directing | Clint Eastwood | Director |
| Production | Clint Eastwood | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Camera | Jack Green | Director of Photography |
| Art | Henry Bumstead | Production Design |
| Editing | Joel Cox | Editor |
| Production | Phyllis Huffman | Casting |
| Directing | Tom Rooker | Assistant Director |
| Art | Jack G. Taylor Jr. | Art Direction |
| Sound | Bub Asman | Supervising Sound Editor |
| Sound | Donald Harris | Music Editor |
| Lighting | Tom Stern | Chief Lighting Technician |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Sound | Christopher Boyes | Sound Designer |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | David Farmer | Sound Designer |
| Directing | Robert Lorenz | First Assistant Director |
| Visual Effects | John Frazier | Special Effects Supervisor |
| Sound | Bob Beher | Foley Editor |
| Sound | Teresa Eckton | Sound Effects Editor |
| Art | Richard C. Goddard | Set Decoration |
| Sound | Denise Horta | ADR Editor |
| Production | Andrew Lazar | Producer |
| Writing | Ken Kaufman | Screenplay |
| Writing | Howard Klausner | Screenplay |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Gloria D'Alessandro | Supervising ADR Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Editing | Gary D. Roach | Assistant Editor |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Camera | Charles Saldana | Key Grip |
| Costume & Make-Up | Carol A. O'Connell | Hair Department Head |
| Sound | Kimberly Ellen Lowe | Dialogue Editor |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Costume & Make-Up | Allan A. Apone | Makeup Artist |
| Visual Effects | Lisa Todd | Visual Effects Coordinator |
| Production | Patricia Churchill | Unit Production Manager |
| Sound | Phil Benson | Sound Effects Editor |
| Production | Liz Keigley | Casting |
| Art | Joseph G. Pacelli Jr. | Set Designer |
| Art | Michael Sexton | Property Master |
| Costume & Make-Up | Lynda Foote | Key Costumer |
| Sound | Anthony Milch | Sound Effects Editor |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Production | Olivia Harris | Casting Associate |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Sound | Flash Deros | Boom Operator |
| Visual Effects | Michael Owens | Visual Effects Supervisor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Crew | Lars Jensvold | Visual Effects Editor |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Production | Sari E. Keigley | Casting |
| Camera | Pete Romano | Underwater Director of Photography |
| Art | Steven M. Saylor | Set Designer |
| Sound | Ken Fischer | Sound Editor |
| Sound | Ken Fischer | Sound Effects Editor |
| Costume & Make-Up | Steve Ellsworth | Set Costumer |
| Sound | Glenn Hoskinson | Sound Effects Editor |
| Sound | Scott Guitteau | Sound Effects Editor |
| Costume & Make-Up | Janice Alexander | Key Hair Stylist |
| Crew | Nicolas Anastassiou | Visual Effects Editor |
| Sound | Jason King | Sound Editor |
| Production | Kokayi Ampah | Location Manager |
| Sound | Howard Neiman | Sound Effects Editor |
| Costume & Make-Up | Charlene Roberson | Makeup Artist |
| Visual Effects | Judith Weaver | Visual Effects Producer |
| Sound | Walt Martin | Production Sound Mixer |
| Production | Daniel R. Chavez | Executive In Charge Of Production |
| Art | Clarence Lynn Price | Construction Coordinator |
| Costume & Make-Up | Darryl M. Athons | Set Costumer |
| Visual Effects | Susan Greenhow | Visual Effects Coordinator |
| Camera | Ken Regan | Still Photographer |
| Crew | John Bartle | Visual Effects Editor |
| Editing | Bob Kaiser | Color Timer |
| Sound | Gary Krivacek | Sound Effects Editor |
| Art | Bruce West | Set Designer |
| Crew | Tony Chavez | Propmaker |
| Lighting | John Lacy | Rigging Gaffer |
| Art | Bobby Joe Garren | Greensman |
| Lighting | Bud Heller | Rigging Grip |
| Sound | Michael Dressel | Foley Editor |
| Production | Janet Farris | Casting Assistant |
| Editing | Mo Henry | Negative Cutter |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Sound | Stephen Janisz | ADR Editor |
| Art | Gary Metzen | Painter |
| Visual Effects | Nelson Cabrera | Visual Effects Coordinator |
| Visual Effects | Dana Friedman | Visual Effects Producer |
| Camera | Charles W. Wayt | Dolly Grip |
| Editing | Don Roth | Assistant Editor |
| Production | Carla Aucoin | Production Coordinator |
| Editing | Tim Safarik | Colorist |
| Editing | Doug Jones | Negative Cutter |
