Set in Northern California in the late sixties, So Much Yellow is a short, dramatic film about a young girl and the family road trip that changes her life forever. Inspired by true stories, this film depicts the difficult decision one family makes to institutionalize their young son who has Down syndrome.
Sound | Mark Orton | Original Music Composer |
Camera | Colin Levy | First Assistant Camera |
Camera | Tony Kaplan | Camera Operator |
Directing | Erica Milsom | Director |
Writing | Erica Milsom | Writer |
Camera | Adam Habib | Director of Photography |
Directing | Erik Langley | First Assistant Director |
Editing | Mark Dinicola | Colorist |
Sound | Justin Pearson | Sound Designer |
Editing | Kevin Nolting | Editor |
Visual Effects | Bill Watral | Digital Compositor |
Visual Effects | Steven James | Digital Compositor |
Sound | Kenny Pickett | Sound Mixer |
Art | Kelly Bonbright | Production Design |
Sound | Jon Bryant | Sound |
Camera | Nicholas Zehner | First Assistant Camera |
Editing | Jennifer Neysa Jew | First Assistant Editor |
Visual Effects | Esdras Varagnolo | Digital Compositor |
Editing | Kathy Graves Toon | Additional Editor |
Visual Effects | Stewart Pomeroy | Digital Compositor |
Production | Courtney Lockwood | Associate Producer |
Production | Kevin Magliulo | Executive Producer |
Production | Marissa Mei | Executive Producer |
Production | Todd Shaiman | Producer |
Production | Marshall Spight | Executive Producer |
Editing | Sally Bergom | Editor |
Production | Gail Ford Williamson | Casting |
Costume & Make-Up | Trish Ward | Makeup Artist |
Visual Effects | Angela Marie Mistretta | Digital Compositor |
Camera | Elani Ferri | Second Assistant Camera |
Camera | Jacy Johnson | Still Photographer |
Camera | Cris Knight | Digital Imaging Technician |
Camera | Sara K. Sampson | Second Assistant Camera |
Camera | Dominic Stewart | Grip |
Production | Kimberly Harris | Casting |