Billy Pilgrim, a veteran of the Second World War, finds himself mysteriously detached from time, so that he is able to travel, without being able to help it, from the days of his childhood to those of his peculiar life on a distant planet called Tralfamadore, passing through his bitter experience as a prisoner of war in the German city of Dresden, over which looms the inevitable shadow of an unspeakable tragedy.
| Directing | George Roy Hill | Director |
| Writing | Stephen Geller | Screenplay |
| Writing | Kurt Vonnegut Jr. | Novel |
| Editing | Dede Allen | Editor |
| Production | Marion Dougherty | Casting |
| Art | George C. Webb | Art Direction |
| Art | Alexander Golitzen | Art Direction |
| Production | Paul Monash | Producer |
| Art | Henry Bumstead | Production Design |
| Production | Jennings Lang | Executive Producer |
| Sound | Vincent Connelly | Sound Effects Editor |
| Costume & Make-Up | Mark Reedall | Makeup Artist |
| Costume & Make-Up | John Chambers | Makeup Artist |
| Camera | Miroslav Ondříček | Director of Photography |
| Production | George Roy Hill | Producer |
| Art | John McCarthy Jr. | Set Decoration |
| Production | Lloyd Anderson | Unit Production Manager |
| Production | Ernest B. Wehmeyer | Unit Production Manager |
| Directing | Ray Gosnell Jr. | Assistant Director |
| Editing | Stephen A. Rotter | Assistant Editor |
| Sound | John Strauss | Music Editor |
| Directing | Charlsie Bryant | Script Supervisor |
| Sound | Milan Novotný | Sound |
| Sound | James R. Alexander | Sound |
| Sound | Dick Vorisek | Sound Re-Recording Mixer |
| Visual Effects | Albert Whitlock | Matte Painter |
| Crew | Andrew Kazdin | Technical Advisor |
| Crew | Enzo A. Martinelli | Technical Advisor |
| Sound | Glenn Gould | Musician |
