A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.
| Directing | Masao Adachi | Director |
| Production | Kōji Wakamatsu | Producer |
| Editing | Kansuke Guryû | Editor |
| Lighting | Hajime Isogai | Gaffer |
| Directing | Michio Akiyama | Assistant Director |
| Lighting | Motoo Maeda | Lighting Technician |
| Directing | Kazuo Komizu | Assistant Director |
| Writing | Masao Adachi | Screenplay |
| Camera | Hideo Itō | Director of Photography |
| Production | Sachi Hamano | Production Manager |