London, England, November 5th, 1892, Guy Fawkes Night. The famous playwright Oscar Wilde and his lover Lord Alfred Douglas discreetly go to a luxury brothel where the owner, Alfred Taylor, has prepared a surprise for the renowned author: a private and very special performance of his play Salome, banned by the authorities, in which Taylor himself and the peculiar inhabitants of the exclusive establishment will participate.
You can now watch Salome's Last Dance online on the following streaming providers in the United States.
| Directing | Ken Russell | Director |
| Writing | Oscar Wilde | Theatre Play |
| Writing | Ken Russell | Screenplay |
| Costume & Make-Up | Michael Annals | Costume Designer |
| Costume & Make-Up | Michael Jeffery | Costume Designer |
| Costume & Make-Up | Michael Jeffery | Hair Designer |
| Art | Michael Buchanan | Art Direction |
| Art | Christopher Hobbs | Set Designer |
| Editing | Timothy Gee | Editor |
| Camera | Harvey Harrison | Director of Photography |
| Production | William J. Quigley | Executive Producer |
| Production | Dan Ireland | Executive Producer |
| Production | Robert Littman | Co-Producer |
| Production | Penny Corke | Producer |
| Crew | Arlene Phillips | Choreographer |
| Crew | Wanda Rokicki | Choreographer |
| Production | Rebecca Howard | Casting Director |
| Directing | Mike Gowans | First Assistant Director |
| Directing | Jerry Daly | Second Assistant Director |
| Directing | Trevor Puckle | Third Assistant Director |
| Production | Winnie Wishart | Production Coordinator |
| Production | Nicky Bowen | Assistant Accountant |
| Production | Rebecca West | Producer's Assistant |
| Directing | Melinda Rees | Script Supervisor |
| Camera | Clive Coote | Still Photographer |
| Camera | Mike Evans | Focus Puller |
| Camera | Dean Morris | Clapper Loader |
| Camera | Gareth Hall | Assistant Camera |
| Art | Denise Ruben | Set Dresser |
| Art | Ella Cottrell | Property Buyer |
| Art | Ron Allett | Property Master |
| Art | Paul Turner | Standby Property Master |
| Costume & Make-Up | Michael Jeffery | Wardrobe Supervisor |
| Costume & Make-Up | Diane Murphy | Wardrobe Assistant |
| Costume & Make-Up | Catherine Halloran | Wardrobe Assistant |
| Costume & Make-Up | Pay Hay | Key Makeup Artist |
| Costume & Make-Up | Yvonne Coppard | Makeup Artist |
| Costume & Make-Up | Sallie Evans | Assistant Makeup Artist |
| Costume & Make-Up | Sula Loizou | Assistant Makeup Artist |
| Costume & Make-Up | Maureen Stephenson | Assistant Makeup Artist |
| Costume & Make-Up | Liz Michie | Key Hairdresser |
| Costume & Make-Up | Daphne Vollmer | Hairdresser |
| Costume & Make-Up | Mark Nelson | Assistant Hairdresser |
| Sound | Ray Beckett | Sound Mixer |
| Sound | John Chandler | Boom Operator |
| Sound | Martin Culverwell | Sound Engineer |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Brian Saunders | Sound Re-Recording Assistant |
| Sound | John Ireland | Sound Editor |
| Sound | Jean Sheffield | Foley Editor |
| Sound | Simon Manley | Assistant Sound Editor |
| Sound | Tracey Sheffield | Foley Editor |
| Production | Ronaldo Vasconcellos | Associate Producer |
| Camera | Mark Ellis | Key Grip |
| Editing | Keith Lowes | First Assistant Editor |
| Sound | Dick Lewzey | Music Editor |
| Sound | Sean Cotter | Music Editor |
| Art | Steve Ede | Construction Manager |
| Lighting | Denis Brock | Gaffer |
| Art | Michael Buchanan | Production Design |
| Production | Robert Littman | Co-Producer |
| Costume & Make-Up | Pat Hay | Makeup Supervisor |
| Costume & Make-Up | Liz Michie | Hairstylist |
| Costume & Make-Up | Daphne Vollmer | Hairstylist |
