It's Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes' number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes' behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
| Art | Nancy Haigh | Set Decoration |
| Editing | Billy Weber | Editor |
| Writing | Bo Goldman | Story |
| Production | David Rubin | Casting |
| Writing | Warren Beatty | Screenplay |
| Directing | Warren Beatty | Director |
| Production | Warren Beatty | Producer |
| Writing | Warren Beatty | Story |
| Camera | Caleb Deschanel | Director of Photography |
| Costume & Make-Up | Albert Wolsky | Costume Design |
| Art | Jeannine Oppewall | Production Design |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Sound | Darrell Hall | Music Editor |
| Production | Brett Ratner | Producer |
| Costume & Make-Up | Valli O'Reilly | Makeup Department Head |
| Production | Steve Bing | Producer |
| Editing | Leslie Jones | Editor |
| Sound | David Giammarco | Supervising Sound Editor |
| Sound | David Giammarco | Sound Re-Recording Mixer |
| Visual Effects | Alex Knudsen | Visual Effects Producer |
| Sound | Don Coufal | Boom Operator |
| Directing | Dianne Dreyer | Script Supervisor |
| Production | Molly Conners | Producer |
| Camera | B. J. McDonnell | Steadicam Operator |
| Camera | François Duhamel | Still Photographer |
| Sound | Scott A. Jennings | Sound Effects Editor |
| Costume & Make-Up | Linda Matthews | Costume Supervisor |
| Art | Carol Kiefer | Art Department Coordinator |
| Sound | David V. Butler | ADR Editor |
| Sound | David V. Butler | Supervising Dialogue Editor |
| Camera | P. Scott Sakamoto | Steadicam Operator |
| Sound | Sarah Monat | Foley |
| Sound | Will Riley | Supervising Sound Editor |
| Editing | Bruce Lomet | Digital Intermediate |
| Sound | Will Kaplan | Music Editor |
| Sound | Greg Orloff | Sound Re-Recording Mixer |
| Sound | Deb Adair | Sound Re-Recording Mixer |
| Visual Effects | Richard Ivan Mann | Visual Effects Producer |
| Visual Effects | John Scheele | Visual Effects Supervisor |
| Visual Effects | Elliott Jobe | Visual Effects Supervisor |
| Costume & Make-Up | Don Rutherford | Makeup Artist |
| Editing | Everette Webber | Digital Intermediate |
| Costume & Make-Up | Cydney Cornell | Hair Department Head |
| Costume & Make-Up | AnnaRose Kern | Hairstylist |
| Lighting | Erik Bernstein | Rigging Gaffer |
| Costume & Make-Up | Cesha Ventre | Set Costumer |
| Editing | Brian Scofield | Editor |
| Editing | Robin Gonsalves | Editor |
| Camera | Jerry C. Deats | Key Grip |
| Art | Jennifer Bash | Assistant Art Director |
| Costume & Make-Up | C. Susan Hall | Assistant Costume Designer |
| Costume & Make-Up | Jack Taggart | Ager/Dyer |
| Costume & Make-Up | Jimmy Jay | Key Costumer |
| Costume & Make-Up | Sue Crosby | Set Costumer |
| Production | Michelle Dunton | Script Researcher |
| Production | Melissa Pryor | Casting Associate |
| Camera | Joe Macaluso | Dolly Grip |
| Costume & Make-Up | Leah Vautrot | Key Makeup Artist |
