In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.
| Directing | José Padilha | Director |
| Writing | Joshua Zetumer | Screenplay |
| Production | Gary Barber | Producer |
| Production | Roger Birnbaum | Producer |
| Art | Martin Whist | Production Design |
| Writing | Michael Miner | Characters |
| Writing | Edward Neumeier | Characters |
| Sound | Pedro Bromfman | Original Music Composer |
| Production | Marc Abraham | Producer |
| Production | Eric Newman | Producer |
| Camera | Lula Carvalho | Director of Photography |
| Editing | Peter McNulty | Editor |
| Editing | Daniel Rezende | Editor |
| Production | Francine Maisler | Casting |
| Art | Patrick Banister | Art Direction |
| Art | Gregory S. Hooper | Art Direction |
| Art | David E. Scott | Art Direction |
| Art | Carolyn 'Cal' Loucks | Set Decoration |
| Costume & Make-Up | April Ferry | Costume Design |
| Costume & Make-Up | Maribeth Knezev | Makeup Department Head |
| Production | Diane Kerbel | Casting |
| Production | Kevin Kuffa | Casting |
| Costume & Make-Up | Cori Burchell | Costume Supervisor |
| Costume & Make-Up | Isabel De Biasio | Costume Supervisor |
| Art | Brandt Gordon | Supervising Art Director |
| Visual Effects | Anthony Rizzo | Animation |
| Sound | Kevin Kaska | Orchestrator |
| Visual Effects | Jeremy Johnson | Digital Compositor |
