Seven years ago, Regina (Mimi Rogers) was tried for the death. On the night before she becomes the first woman in over 40 years to be executed in a federal penitentiary, she befriends the lone, curious prison guard Colin Reeves (Billy Zane), who has been assigned to watch over her. By telling Regina's story through flashbacks interwoven with her present situation, the film helps us understand this woman in a unique, disturbing and sympathetic way
| Directing | Jon Purdy | Director |
| Costume & Make-Up | Vikki Barrett | Wardrobe Supervisor |
| Sound | Parmer Fuller | Original Music Composer |
| Camera | Teresa Medina | Director of Photography |
| Costume & Make-Up | Suzanne Willey | Key Hair Stylist |
| Camera | Nina Krieger | Still Photographer |
| Directing | Tony Steinberg | First Assistant Director |
| Production | Billy DaMota | Casting |
| Art | Roger Belk | Art Direction |
| Sound | Paul Di Franco | Music Supervisor |
| Directing | Marco Black | First Assistant Director |
| Editing | Butch Johnson | Dialogue Editor |
| Production | Diana Ragland | Production Coordinator |
| Writing | Jon Purdy | Writer |
| Production | Carol Dunn Trussell | Producer |
| Production | Alida Camp | Producer |
| Costume & Make-Up | Deena Appel | Costume Design |
| Directing | Cheryl Starbuck | Script Supervisor |
| Sound | Ken Regan | Sound Effects Editor |
| Sound | Camilla Mauritzson Skjaerbaek | Sound Effects Editor |
| Costume & Make-Up | Suzanne Willey | Key Makeup Artist |
| Camera | Linda Morgenstern | Camera Operator |
| Production | Gwen Field | Producer |
| Art | Paul Butch Kitchen | Property Master |
| Editing | Norman Buckley | Editor |
| Art | Arlan Jay Vetter | Production Design |
| Production | Roger Corman | Executive Producer |
| Production | Lance H. Robbins | Executive Producer |
