Lestat finds acceptance in a tattooed and pierced world, rekindling the desires of all-powerful Akasha.
| Production | Bruce Berman | Executive Producer |
| Sound | Richard Gibbs | Music |
| Camera | Ian Baker | Director of Photography |
| Writing | Michael Petroni | Screenplay |
| Production | Su Armstrong | Executive Producer |
| Writing | Scott Abbott | Screenplay |
| Production | Bill Gerber | Executive Producer |
| Editing | Dany Cooper | Editor |
| Production | Jorge Saralegui | Producer |
| Production | Andrew Mason | Executive Producer |
| Directing | Michael Rymer | Director |
| Costume & Make-Up | Angus Strathie | Costume Design |
| Production | Kristy Carlson | Casting |
| Production | Gregory Apps | Casting |
| Camera | Rob Hansford | Key Grip |
| Art | Tim McGaw | Props |
| Art | Michael Bell | Set Designer |
| Art | Joe Kiely | Set Dresser |
| Sound | Eileen Horta | ADR & Dubbing |
| Crew | Neil Greenberg | Visual Effects Editor |
| Costume & Make-Up | Kylie O'Toole | Makeup Artist |
| Costume & Make-Up | Eliza Godman | Costume Supervisor |
| Sound | Eric Thompson | ADR Mixer |
| Crew | Andrew MacDonald | Compositor |
| Crew | Patrick Ballin | Visual Effects Editor |
| Crew | Aaron Cox | Special Effects Technician |
| Crew | Cameron Morley | Video Assist Operator |
| Costume & Make-Up | Elka Wardega | Prosthetic Makeup Artist |
| Art | Damien Drew | Assistant Art Director |
| Sound | Marshall Winn | Dialogue Editor |
| Sound | Gary Mundheim | Sound Effects Editor |
| Sound | Aaron D. Weisblatt | Sound Effects Editor |
| Sound | Robert Carr | Sound Recordist |
| Costume & Make-Up | Nikki Gooley | Makeup Supervisor |
| Visual Effects | Darin Hilton | Animation |
| Visual Effects | Joni Jacobson | Digital Compositor |
| Visual Effects | Kirsten Fazio | Visual Effects Coordinator |
| Visual Effects | Sophie Leclerc | Visual Effects Producer |
| Visual Effects | Sara Henschke | Visual Effects Producer |
| Art | Brian Dusting | Set Decoration |
| Camera | Leo Baker | Second Assistant Camera |
| Camera | Jim Sheldon | Still Photographer |
| Crew | Jack Schuster | Post Production Supervisor |
| Sound | Terry Rodman | Sound Re-Recording Mixer |
| Crew | Walter Van Veenendaal | Special Effects Technician |
| Camera | Kurt E. Soderling | Aerial Director of Photography |
| Camera | Steven J. Winslow | Camera Technician |
| Art | Kirstine Wallis | Sculptor |
| Art | Peter Savieri | Storyboard Artist |
| Sound | Jay Nierenberg | Sound Effects Editor |
| Visual Effects | Don Greenberg | Digital Compositor |
| Visual Effects | Don Lee | Digital Compositor |
| Crew | Patrick Carmiggelt | Special Effects Technician |
| Crew | Pauline Grebert | Special Effects Technician |
| Lighting | Anthony Tulloch | Assistant Chief Lighting Technician |
| Production | Sue MacKay | Production Manager |
| Production | Terry Leonard | Casting Assistant |
| Sound | Chris Navarro | ADR Recordist |
| Sound | Shawn Kennelly | Foley Mixer |
| Sound | Tim Walston | Sound Designer |
| Visual Effects | Kelly Bumbarger | Digital Compositor |
| Visual Effects | Matt Dessero | Digital Compositor |
| Visual Effects | Bob Wiatr | Digital Compositor |
| Visual Effects | Gregory L. McMurry | Visual Effects Supervisor |
| Camera | John Radel | Assistant Camera |
| Camera | Angelo Sartore | First Assistant Camera |
| Camera | Ian Jones | Second Unit Director of Photography |
| Costume & Make-Up | Jane Summers-Eve | Costumer |
| Sound | Cathie Speakman | Sound Editor |
| Visual Effects | Jaime Norman | Visual Effects Coordinator |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Art | Peter Hordern | Head Greensman |
| Art | Marian Murray | Lead Set Dresser |
| Sound | Philip Rogers | ADR Recordist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Andy Peach | Sound Recordist |
| Sound | Brian Best | Supervising Sound Editor |
| Crew | John Decker | CG Supervisor |
| Visual Effects | Chris Crowell | Digital Compositor |
| Crew | John Sanderson | Special Effects Assistant |
| Costume & Make-Up | Simon Zanker | Key Hair Stylist |
| Art | Hannah Knowlton | Assistant Property Master |
| Art | Michael Hill | Head Carpenter |
| Art | Jan Edwards | Property Master |
| Sound | Julie Pearce | ADR Recordist |
| Sound | Steve Mann | Sound Effects Editor |
| Sound | Terry Rodman | Supervising Sound Editor |
| Visual Effects | Marcus LeVere | 3D Artist |
| Visual Effects | William Gammon | Digital Compositor |
| Visual Effects | Denise Davis | Visual Effects Producer |
| Visual Effects | Amy Hollywood Wixson | Visual Effects Producer |
| Crew | Angelo Sahin | Special Effects Technician |
| Costume & Make-Up | Kelly Foreman | Costume Assistant |
| Costume & Make-Up | Julie Barton | Key Costumer |
| Sound | Bradley Clouse | Assistant Sound Editor |
| Sound | Bernard Weiser | Sound Editor |
| Visual Effects | Ken Dackermann | Digital Compositor |
| Visual Effects | Kate McCarthy | Visual Effects Coordinator |
| Visual Effects | Lindsay Hallett | Visual Effects Producer |
| Costume & Make-Up | Nikki Gooley | Hair Designer |
| Art | Paula Whiteway | Set Designer |
| Sound | Nancy Tracy | Assistant Sound Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Visual Effects | Andy Davis | Digital Compositor |
| Visual Effects | Ben Roberts | Digital Compositor |
| Crew | James Howe | Special Effects Technician |
| Art | Graham 'Grace' Walker | Production Design |
| Camera | Rex Nicholson | Second Unit Director of Photography |
| Art | John Rann | Construction Manager |
| Visual Effects | Jeff Zaman | Digital Compositor |
| Visual Effects | Kenneth Nakada | Matte Painter |
| Visual Effects | Andrea D'Amico | Visual Effects Producer |
| Visual Effects | Tony Clark | Visual Effects Supervisor |
| Crew | Rodney Burke | Special Effects Coordinator |
| Visual Effects | Brian Cox | Special Effects Supervisor |
| Crew | Greg Dennison | Special Effects Technician |
| Crew | Rob Heggie | Special Effects Technician |
| Camera | Tov Belling | First Assistant Camera |
| Costume & Make-Up | Shane Thomas | Makeup Artist |
| Art | Rolland Pike | Set Dresser |
| Sound | William Cawley | First Assistant Sound Editor |
| Sound | Joe Divitale | Sound Effects Editor |
| Visual Effects | Deak Ferrand | Visual Effects Designer |
| Visual Effects | A.J. Calomay | Visual Effects Production Assistant |
| Visual Effects | Bryan Hirota | Visual Effects Supervisor |
| Crew | Kevin Turner | Special Effects Technician |
| Art | Tom Nursey | Art Direction |
| Camera | Chris Hansford | Best Boy Grip |
| Camera | Glenn Arrowsmith | Dolly Grip |
| Directing | Colin Fletcher | First Assistant Director |
| Art | Fiona Donovan | Set Designer |
| Sound | Michael McNerney | ADR Recordist |
| Sound | Patrick Cicero | Sound Assistant |
| Visual Effects | Geoffrey Hall | Animation |
| Visual Effects | Janet L. Earl | Visual Effects Coordinator |
| Camera | Leigh Mackenzie | Camera Operator |
| Camera | Matt Toll | First Assistant Camera |
| Art | Kylie Lawson | Painter |
| Sound | David Lee | Production Sound Mixer |
| Crew | Tommy Dorsett | Visual Effects Editor |
| Visual Effects | Gray Marshall | Visual Effects Supervisor |
| Crew | Gillian Farrow | Special Effects Technician |
| Sound | Chris David | Sound Re-Recording Mixer |
| Sound | Steve Nelson | Sound Effects Editor |
| Writing | Anne Rice | Novel |
| Crew | Victoria Mielewska | Dialect Coach |
| Sound | Jonathan Davis | Music |
