Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion.
| Directing | Herbert Coleman | Director |
| Writing | Clair Huffaker | Screenplay |
| Editing | Frederic Knudtson | Editor |
| Production | Gordon Kay | Producer |
| Art | Alexander Golitzen | Art Direction |
| Art | Alfred Sweeney | Art Direction |
| Writing | Clair Huffaker | Novel |
| Camera | Clifford Stine | Director of Photography |
| Art | Oliver Emert | Set Decoration |
| Directing | Ray Gosnell Jr. | Assistant Director |
| Sound | Waldon O. Watson | Sound |
| Sound | Joe Lapis | Sound |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Sound | Joseph Gershenson | Music Supervisor |
| Production | Willard W. Willingham | Producer's Assistant |
