Murphy goes after bad guys who shot his friend the sheriff and abducted a local girl. In a plot reminiscent of High Noon, the posse of town blowhards gradually abandons Murphy; only tenderfoot banker Saxon remains, to prove his manhood. When they find the girl, obviously abused by her captors, Murphy shows her acceptance and sympathy whereas the others disply only revulsion.
|Camera||Clifford Stine||Director of Photography|
|Art||Alexander Golitzen||Art Direction|
|Art||Oliver Emert||Set Decoration|
|Production||Willard W. Willingham||Producer|
|Art||Alfred Sweeney||Art Direction|
|Directing||Ray Gosnell Jr.||Assistant Director|