A group of elite soldiers, including one woman, sign up for the ultimate training mission. The group parachutes onto a remote island, where their objective is to reach the safety zone before the "opposing force" captures them. Everything does not go as expected, and the training mission turns into the real thing.
| Directing | Eric Karson | Director |
| Production | Peter Nevile | Executive Producer |
| Production | Brad Smart | Associate Producer |
| Production | Al Onorato | Casting |
| Production | Hugh Corcoran | Associate Producer |
| Production | Jeff Wald | Executive Producer |
| Production | Jerold Franks | Casting |
| Art | Ruben Arthur Nicdao | Production Design |
| Sound | John Leveque | Supervising Sound Editor |
| Editing | Mark Conte | Editor |
| Production | Debi Tewell | Production Secretary |
| Camera | Michael Jones | Director of Photography |
| Production | Celso De Guzman | Production Accountant |
| Costume & Make-Up | John Sobeck | Makeup Artist |
| Production | Catrine Filloux | Production Assistant |
| Sound | Marc Donahue | Original Music Composer |
| Production | Ted Swanson | Production Manager |
| Lighting | Byron White | Gaffer |
| Camera | Robert Schunke | Key Grip |
| Crew | Jack Lyons | Unit Publicist |
| Costume & Make-Up | Lisa Heftman | Costumer |
| Writing | Linda J. Cowgill | Writer |
| Directing | Claire Felicen | Script Supervisor |
| Camera | Rene Balicas | Dolly Grip |
| Production | Jean Higgins | Production Manager |
| Editing | Bob Hart | Negative Cutter |
| Sound | Drew Kunin | Boom Operator |
| Directing | Jerry Grandey | First Assistant Director |
| Directing | Susana Preston | Script Supervisor |
| Sound | Carey Lindley | Sound Mixer |
| Directing | Jann Dutmer | Second Assistant Director |
| Art | Janice Flating | Art Direction |
| Sound | Richard E. Yawn | Assistant Sound Editor |
| Sound | Jeffrey L. Sandler | Sound Editor |
| Directing | Lita Puyat | Second Assistant Director |
| Camera | Edward Knott III | Grip |
| Sound | Karen G. Wilson | Sound Editor |
| Production | Daniel Zelik Berk | Producer |
| Camera | Randy Nolen | Camera Operator |
| Crew | Ray Lykins | Stunt Coordinator |
| Camera | Dennis Harper | Key Grip |
| Sound | Barry Thomas | Sound Mixer |
| Production | Richard Lorenzana | Production Accountant |
| Sound | Warren Chadwick | Music Editor |
| Directing | Jerry O'Hara | First Assistant Director |
| Costume & Make-Up | Peggy Teague | Hair Supervisor |
| Costume & Make-Up | Paul Abascal | Hairstylist |
| Sound | Forrest Williams | Boom Operator |
| Production | Carolyn Olman | Production Coordinator |
| Production | Mollie H. Yasuda | Production Assistant |
| Sound | Richard D. Rogers | Sound Re-Recording Mixer |
| Production | Gina Salta | Production Assistant |
| Production | Maria Metcalfe | Local Casting |
| Sound | Robert Bradshaw | Sound Editor |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Editing | Timoteo Bismark | First Assistant Editor |
| Editing | Chuck Bismark | Assistant Editor |
| Production | Teresita S. Crisostomo | Production Secretary |
| Camera | Ed Knott Jr. | Best Boy Grip |
| Crew | Ricou Browning | Stunt Coordinator |
| Production | Deena Goldstein | Production Coordinator |
| Editing | Jacque Toberen | Assistant Editor |
| Sound | Beth Bergeron | Supervising ADR Editor |
| Sound | Marvin Walowitz | Sound Editor |
| Production | Tamar E. Glaser | Producer |
| Camera | Randy Nolen | Steadicam Operator |
| Camera | Thomas Cocheo | Grip |
| Production | Michelle Marx | Location Manager |
| Production | Doug Burdinski | Production Accountant |
| Art | William A. Petrotta | Property Master |
| Sound | Charles Grenzbach | Sound Re-Recording Mixer |
| Directing | Nonette Tsang | Continuity |
| Costume & Make-Up | Peggy Teague | Makeup Supervisor |
| Camera | Jerry Bertolami | Dolly Grip |
| Camera | Michael McGowan | Helicopter Camera |
| Costume & Make-Up | Scott H. Eddo | Makeup Artist |