Set in post Second World War Britain, Noose is the story of black market racketeers who face attempts to bring them to justice by an American fashion journalist, her ex-army fiancée and a gang of honest toughs from a local gym. When a corpse turns up at black market front The Blue Moon Club, Yank reporter Carole Landis starts snooping, much to gang boss Joseph Calleia’s annoyance. And soon there’s a hit man on the way...
| Directing | Edmond T. Gréville | Director |
| Production | Edward Dryhurst | Producer |
| Writing | Richard Llewellyn | Writer |
| Art | T.R. Seddon | Assistant Art Director |
| Costume & Make-Up | Peggy Henderson | Wardrobe Designer |
| Sound | Charles Williams | Conductor |
| Directing | John Pellatt | Third Assistant Director |
| Sound | A.E. Rudolph | Sound Supervisor |
| Costume & Make-Up | Gerry Fletcher | Makeup Artist |
| Editing | Douglas Robertson | Supervising Editor |
| Directing | Terry Hunter | Assistant Director |
| Art | George Lack | Draughtsman |
| Sound | Bill Baldwin | Boom Operator |
| Production | Roger Good | Producer's Assistant |
| Art | Bernard Robinson | Art Direction |
| Production | Eric L'Epine Smith | Associate Producer |
| Production | Harold Richmond | Production Manager |
| Directing | Cliff Owen | Second Assistant Director |
| Sound | Derek Kavanagh | Sound Assistant |
| Costume & Make-Up | Anna Duse | Dresser |
| Sound | Charles Williams | Orchestrator |
| Sound | Charles Williams | Music Director |
| Directing | Peggy Singer | Continuity |
| Sound | Moray MacFarlane | Boom Operator |
| Costume & Make-Up | Francis Singleman | Hair Designer |
| Costume & Make-Up | John Wilson-Apperson | Wardrobe Designer |
| Sound | Cecil Milner | Orchestrator |
| Camera | Hone Glendinning | Director of Photography |
| Camera | Otto Heller | Director of Photography |
| Camera | Robert Day | Camera Operator |
| Editing | David Newhouse | Editor |
