Frank Hart is a pig. He takes advantage of the women who work with him in the grossest manner. When his three assistants manage to trap him in his own house, they assume control of his department, and productivity leaps, but just how long can they keep Hart tied up?
Costume & Make-Up | Ve Neill | Makeup Artist |
Writing | Colin Higgins | Screenplay |
Directing | Colin Higgins | Director |
Production | Terry Liebling | Casting |
Crew | Chuck Gaspar | Special Effects |
Crew | M. James Arnett | Stunt Coordinator |
Editing | Pembroke J. Herring | Editor |
Sound | Jeff Wexler | Production Sound Mixer |
Sound | Nicholas Eliopoulos | Supervising Sound Editor |
Sound | Godfrey Marks | Dialogue Editor |
Camera | Reynaldo Villalobos | Director of Photography |
Art | Bob Wray | Set Designer |
Art | George Eckert | Set Designer |
Costume & Make-Up | Ann Roth | Costume Design |
Directing | Chris Soldo | Second Assistant Director |
Sound | Charles Fox | Original Music Composer |
Art | Mel Cooper | Leadman |
Crew | Matt Sweeney | Special Effects |
Writing | Patricia Resnick | Screenplay |
Production | Richard Hashimoto | Unit Production Manager |
Art | Richard M. Rubin | Property Master |
Lighting | Doug Pentek | Gaffer |
Art | Anne D. McCulley | Set Decoration |
Art | Gregory Pickrell | Set Designer |
Writing | Patricia Resnick | Story |
Production | Bruce Gilbert | Producer |
Directing | Marshall Schlom | Script Supervisor |
Sound | Dolly Parton | Theme Song Performance |
Directing | Gary Daigler | Assistant Director |
Art | Jack G. Taylor Jr. | Art Direction |
Crew | Gary Kalkin | Unit Publicist |
Art | Dean Mitzner | Production Design |
Camera | Ralph Nelson Jr. | Still Photographer |
Costume & Make-Up | Shirlee Strahm | Costume Supervisor |