A Harvard-educated, big-city lawyer moves to a small Arizona town to set up practice. His first case is defending a beautiful socialite accused of murdering her husband. This is the pilot TV movie for what would become the Petrocelli TV series.
| Editing | Donald R. Rode | Editor |
| Directing | Harry L. Franklin | Second Assistant Director |
| Sound | Don Isaacs | Supervising Sound Editor |
| Production | Donald A. Kruger Jr. | Location Manager |
| Sound | Jack Hunsaker | Supervising Music Editor |
| Production | Thomas L. Miller | Producer |
| Production | Frank Kennedy | Location Casting |
| Directing | Mitchell L. Gamson | Assistant Director |
| Production | Frank Kennedy | Extras Casting |
| Writing | Harold Buchman | Writer |
| Writing | E. Jack Neuman | Writer |
| Costume & Make-Up | Larry Germain | Hairstylist |
| Costume & Make-Up | Allan Snyder | Makeup Artist |
| Production | Sam Manners | Unit Production Manager |
| Production | Pat Harris | Casting |
| Production | Edward K. Milkis | Producer |
| Art | Robert O. Richards | Property Master |
| Costume & Make-Up | Jennifer L. Parsons | Wardrobe Supervisor |
| Art | Harry Gordon | Set Decoration |
| Sound | Herman Lewis | Sound Mixer |
| Directing | Don Taylor | Director |
| Writing | Sidney J. Furie | Writer |
| Production | Hal White | Post Coordinator |
| Production | E. Jack Neuman | Executive Producer |
| Production | Millie Gusse | Casting Director |
| Sound | Lalo Schifrin | Music |
| Art | Jack De Shields | Art Direction |
| Crew | William O. Cairncross | Post Production Supervisor |
| Costume & Make-Up | Wes Echert | Wardrobe Supervisor |
| Camera | Howard Schwartz | Director of Photography |