A narrative exploration of the estranging effects of idiomatic and professional dialogues in the U.S.
| Directing | Patrick Scott | Director |
| Writing | Patrick Scott | Writer |
| Production | Nikos Bellas | Producer |
| Production | Ryan Nicholson | Executive Producer |
| Production | Gregory Ruzzin | Producer |
| Production | Joe Slavin | Associate Producer |
| Production | Louis Sweeney | Line Producer |
| Sound | Kutiman | Music |
| Crew | Charles Swanson | Cinematography |
| Editing | Patrick Scott | Editor |
| Art | Juliane Crump | Art Direction |
| Directing | Wade Danielson | Assistant Director |
| Directing | David Kumpe | Second Assistant Director |
| Art | A.J. Gordon | Assistant Art Director |
| Art | Karina Karachenko | Assistant Art Director |
| Art | Rachel Vitemb | Assistant Art Director |
| Sound | Kurt Daugherty | Sound |
| Sound | Brian Kotowski | Sound |
| Sound | Travis Prater | Sound Mixer |
| Camera | Daniel Ainsworth | Grip |
| Art | Joe Berk | Swing |
| Camera | Andrew Crighton | Grip |
| Camera | Dan Desantis | Assistant Camera |
| Camera | Pat O'Brien | Second Assistant Camera |
| Lighting | Michael Marius Pessah | Gaffer |
| Camera | Jamie Prevost | First Assistant Camera |
| Camera | Kevin Refermat | Second Unit Director of Photography |
| Lighting | Garrett Shannon | Electrician |
| Art | Tania Villareal | Swing |
| Lighting | Ebony Winston | Electrician |
| Editing | Ashley Waldrop | Assistant Editor |
| Production | Alana Katzner | Location Manager |
| Directing | Anna Maria Ondra | Script Supervisor |
| Editing | Ashley Waldrop | Colorist |
| Production | Jeff Blohm | Production Assistant |
| Production | A.J. Gordon | Production Assistant |
| Production | Stephen Lee | Production Assistant |
| Production | Anthony Mehlhaff | Production Assistant |
| Art | David Schenk | Title Designer |
