ICAC principal investigator William Luk takes his job seriously, and he needs every last scintilla of support from his team to take on the powerful and cunning Supt Wong, who is corrupt to the core. Wong is an enthusiastic tool of the monstrous Malcolm Wu, a cowboy big-time share trader who will stop at nothing to secure a large slice of the upcoming float of the HK government pension fund, worth billions.
Writing | David Lam | Story |
Production | John Chong | Producer |
Production | Ren Yue | Producer |
Directing | David Lam | Director |
Writing | Wong Ho-Wa | Writer |
Editing | Eric Kwong Chi-Leung | Editor |
Production | Stephen Lam Bing-Kwan | Associate Producer |
Camera | Tony Cheung Tung-Leung | Director of Photography |
Crew | Jack Wong Wai-Leung | Choreographer |
Directing | Kwok Man-Ki | First Assistant Director |
Directing | Monet Au Man-Yi | Second Assistant Director |
Crew | Chow Chi-Fai | Second Unit Cinematographer |
Lighting | Chow Chi-Fai | Lighting Director |
Art | Raymond Chan Kam-Ho | Art Direction |
Costume & Make-Up | Stephanie Wong Ka-Bo | Costume Designer |
Costume & Make-Up | Ma Kam-Shim | Wardrobe Coordinator |
Editing | Poon Hung | Editor |
Sound | Tommy Kwok | Sound Recordist |
Sound | Anthony Chue Chan-Tung | Original Music Composer |
Costume & Make-Up | Julie Hui | Makeup Artist |
Costume & Make-Up | Carmen Man | Makeup Artist |
Crew | Edmond Wong | Presenter |
Crew | Chen Yiqi | Presenter |
Production | Cheung Hong-Tat | Co-Producer |
Production | Kenny Chan | Executive Producer |
Production | Stephen Lam Bing-Kwan | Production Coordinator |
Production | Si Yeung-Ping | Line Producer |
Sound | Phyllis Cheng | Sound Designer |
Sound | Ip Siu-Kei | Sound Designer |
Sound | Cheung Chun-fai | Dialogue Editor |
Crew | Monet Au Man-Yi | Post Production Assistant |
Sound | Phyllis Cheng | Sound Re-Recording Mixer |
Sound | Ip Siu-Kei | Sound Re-Recording Mixer |
Crew | Chi Shui-Tim | Pyrotechnician |
Production | Flora Au Wai-Ling | Production Assistant |
Crew | Chan Chun Fung | Stunt Double |