From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
| Production | Charles Okun | Executive Producer |
| Camera | Owen Roizman | Director of Photography |
| Writing | Dan Gordon | Screenplay |
| Directing | Lawrence Kasdan | Director |
| Writing | Lawrence Kasdan | Screenplay |
| Production | Jon Slan | Executive Producer |
| Editing | Carol Littleton | Editor |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Kevin Costner | Producer |
| Production | Michael Grillo | Executive Producer |
| Production | Lawrence Kasdan | Producer |
| Production | Jim Wilson | Producer |
| Production | Jennifer Shull | Casting |
| Art | Gary Wissner | Art Direction |
| Art | Ida Random | Production Design |
| Art | Cheryl Carasik | Set Decoration |
| Sound | James Newton Howard | Original Music Composer |
| Camera | Ian Fox | Camera Operator |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Production | Elizabeth Shull | Casting Associate |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Camera | Ben Glass | Still Photographer |
| Art | William A. Petrotta | Property Master |
| Sound | Dan O'Connell | Foley |
| Camera | David L. Merrill | Dolly Grip |
| Art | Greg John Callas | Construction Coordinator |
| Costume & Make-Up | James M. George | Key Costumer |
| Sound | Joe Dorn | ADR Editor |
| Production | Paul Hargrave | Location Manager |
| Lighting | Ian Kincaid | Chief Lighting Technician |
| Art | Gershon Ginsburg | Assistant Art Director |
| Sound | Jessica Gallavan | ADR Supervisor |
| Sound | Joel Shryack | Boom Operator |
| Camera | Bill Roe | Camera Operator |
| Costume & Make-Up | Gerald Quist | Key Makeup Artist |
| Costume & Make-Up | Ruby K. Manis | Key Costumer |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | Stu Bernstein | Supervising Sound Editor |
| Art | Barry Chusid | Set Designer |
| Camera | Tim Ryan | Key Grip |
| Production | Phil Poulos | Casting Associate |
| Visual Effects | Robert Stadd | Visual Effects Producer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Camera | Richard Bowen | Second Unit Director of Photography |
| Costume & Make-Up | Marlene D. Williams | Hair Supervisor |
| Art | Charlie Daboub | Set Designer |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Costume & Make-Up | Michael Mills | Makeup Supervisor |
| Directing | Anne Rapp | Script Supervisor |
| Sound | James Matheny | Dialogue Editor |
| Sound | Bobby Mackston | Supervising Dialogue Editor |
| Costume & Make-Up | Barry Francis Delaney | Key Costumer |
| Sound | Jim Weidman | Music Editor |
| Lighting | Kim Kono | Rigging Gaffer |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Costume & Make-Up | Le Dawson | Costume Supervisor |
| Camera | Rusty Geller | Steadicam Operator |
| Sound | Stephen Janisz | ADR Editor |
| Sound | Lewis Goldstein | Dialogue Editor |
| Sound | John Murray | Foley |
| Sound | Robert Grieve | Supervising Sound Editor |
| Art | Tom Reta | Set Designer |
| Costume & Make-Up | Dorothy D. Fox | Key Hair Stylist |
| Production | Dan Gordon | Executive Producer |
| Crew | Gary McLarty | Stunts |
| Crew | Norman Howell | Stunt Coordinator |
