Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.
| Editing | Peter Lambert | Editor |
| Production | David M. Thompson | Producer |
| Directing | Simon Curtis | Director |
| Production | Kris Thykier | Producer |
| Writing | Alexi Kaye Campbell | Writer |
| Production | Tricia Wood | Casting |
| Production | Simone Bär | Casting |
| Art | Giles Masters | Art Direction |
| Directing | Rebecca Boyle | Script Supervisor |
| Art | Jim Clay | Production Design |
| Art | Andrew Ackland-Snow | Art Direction |
| Production | Deborah Aquila | Casting |
| Production | Jennifer L. Smith | Casting |
| Production | Gary Davy | Casting |
| Art | Caty Maxey | Art Direction |
| Art | Dominic Masters | Supervising Art Director |
| Sound | Martin Phipps | Original Music Composer |
| Camera | Ross Emery | Director of Photography |
| Sound | Hans Zimmer | Original Music Composer |
| Costume & Make-Up | Norma Webb | Key Hair Stylist |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Directing | San Davey | Script Supervisor |
| Sound | Ian Wilson | Supervising Sound Editor |
| Sound | Maggie Rodford | Music Supervisor |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Sound | Christoph Bauschinger | Music Editor |
| Costume & Make-Up | Peter Paul | Costume Supervisor |
| Sound | Andrew Glen | Music Editor |
| Costume & Make-Up | Norma Webb | Key Makeup Artist |
| Production | Harvey Weinstein | Executive Producer |
| Production | Len Blavatnik | Executive Producer |
| Production | Bob Weinstein | Executive Producer |
