Based on the true story of two young men, David Packouz and Efraim Diveroli, who won a $300 million contract from the Pentagon to arm America's allies in Afghanistan.
Sound | Cliff Martinez | Music |
Production | John Papsidera | Casting |
Camera | Lawrence Sher | Director of Photography |
Production | Mark Gordon | Producer |
Costume & Make-Up | Donna O'Neal | Costume Supervisor |
Sound | Catherine Harper | Foley |
Production | Brett Ratner | Executive Producer |
Crew | Henry Kingi | Stunts |
Production | Bradley Cooper | Producer |
Art | Bill Brzeski | Production Design |
Directing | Todd Phillips | Director |
Production | Todd Phillips | Producer |
Writing | Todd Phillips | Writer |
Production | Scott Budnick | Producer |
Art | Adrian Curelea | Art Direction |
Art | Danielle Berman | Set Decoration |
Camera | Geoffrey Haley | Steadicam Operator |
Visual Effects | Robert Stadd | Visual Effects Supervisor |
Editing | Jeff Groth | Editor |
Production | Deanna Brigidi | Casting Associate |
Visual Effects | Adrian Popescu | Special Effects Supervisor |
Production | Bryan Zuriff | Producer |
Lighting | David Ghegan | Gaffer |
Writing | Jason Smilovic | Writer |
Lighting | Patrick Bramucci | Gaffer |
Visual Effects | James Lorimer | Special Effects Supervisor |
Camera | Melinda Sue Gordon | Still Photographer |
Art | Carmen Dima | Set Decoration |
Sound | John T. Reitz | Sound Re-Recording Mixer |
Sound | Harrison Meyle | ADR & Dubbing |
Costume & Make-Up | Alina Duta | Set Costumer |
Directing | Steve Gehrke | Script Supervisor |
Sound | Tom Ozanich | Sound Re-Recording Mixer |
Sound | Gregg Barbanell | Foley |
Art | Melani Petrushkin | Art Department Coordinator |
Writing | Stephen Chin | Writer |
Visual Effects | Dan Levitan | Visual Effects Supervisor |
Camera | Hans Bjerno | Helicopter Camera |
Editing | Lisa Tutunjian | Digital Intermediate |
Camera | David B. Nowell | Helicopter Camera |
Lighting | Florin Niculae | Gaffer |
Editing | Vanessa Galvez | Digital Intermediate |
Crew | Guillaume DeLouche | Property Master |
Crew | Guillaume DeLouche | Armorer |
Art | Desma Murphy | Supervising Art Director |
Sound | Cameron Frankley | Supervising Sound Editor |
Art | Jonathan Carlos | Art Direction |
Costume & Make-Up | Kelly Porter | Set Costumer |
Art | Jay Pelissier | Art Direction |
Crew | David Fencl | Armorer |
Crew | Marc Leroyer | Armorer |
Lighting | Lupsa Armand | Rigging Gaffer |
Editing | Sean Heissinger | Dialogue Editor |
Sound | Dan Kenyon | Sound Effects Editor |
Visual Effects | Roger Mocenigo | Visual Effects Supervisor |
Production | Mounir Saguia | Casting |
Lighting | Gary Kangrga | Rigging Grip |
Production | Florina Fernandes | Casting |
Art | Molly O'Donnell | Art Department Coordinator |
Costume & Make-Up | Amy Gavel | Set Costumer |
Costume & Make-Up | Cori Mizrahi | Set Costumer |
Costume & Make-Up | Juliet Primo | Set Costumer |
Production | Erin Fragetta | Casting Associate |
Production | Marie-Thérèse Verbruggen | Casting Associate |
Camera | Cedric Martin | Steadicam Operator |
Visual Effects | Rachel Varnell | Visual Effects Coordinator |
Visual Effects | Elizabeth Willaman | Visual Effects Coordinator |
Visual Effects | Brian Ali Harding | Visual Effects Supervisor |
Sound | Jon Michaels | Sound Effects Editor |
Editing | Hunter Clancey | Digital Intermediate |
Editing | Jeff Mee | First Assistant Editor |
Camera | Grady Allen Bishop | Camera Car |
Lighting | Adam Harrison | Rigging Gaffer |
Production | Grant McCord | Production Assistant |