Medium Sylvia Pickel and psychometrist Nick Deezy meet at a psychic research facility in New York. Not long after, they're contacted by Harry Buscafusco, who offers them $50,000 to find his lost son in South America, in the heart of Incan territory where they discover an ancient mystical secret, and each other.
Directing | Ken Kwapis | Director |
Writing | Deborah Blum | Story |
Writing | Lowell Ganz | Story |
Writing | Babaloo Mandel | Story |
Writing | Lowell Ganz | Screenplay |
Writing | Babaloo Mandel | Screenplay |
Production | Deborah Blum | Producer |
Production | Tony Ganz | Producer |
Production | Raymond Hartwick | Co-Producer |
Production | Ron Howard | Executive Producer |
Production | Kate Long | Associate Producer |
Production | David Wolff | Associate Producer |
Sound | James Horner | Original Music Composer |
Editing | Carol Littleton | Editor |
Production | Regina Gruss | Publicist |
Art | Dan Perri | Title Designer |
Camera | John Bailey | Director of Photography |
Directing | Tom Seidman | Second Assistant Director |
Production | Carrie Frazier | Casting |
Production | Shani Ginsberg | Casting |
Visual Effects | Richard Edlund | Visual Effects Producer |
Costume & Make-Up | Ruth Myers | Costume Design |
Art | Richard Sawyer | Production Design |
Directing | Anne Rapp | Script Supervisor |
Production | Raymond Hartwick | Unit Production Manager |
Directing | Alan B. Curtiss | First Assistant Director |
Camera | Lou Barlia | Camera Operator |
Camera | Donald E. Thorin Jr. | First Assistant Camera |
Camera | Michael Raspa | Second Assistant Camera |
Camera | Bruce McBroom | Still Photographer |
Editing | Raúl Dávalos | Assistant Editor |
Editing | Lisa Zeno Churgin | First Assistant Editor |
Sound | Richard Bryce Goodman | Production Sound Mixer |
Sound | Carl Fischer | Boom Operator |
Sound | Dennis Drummond | Supervising Sound Editor |
Sound | George H. Anderson | Sound Editor |
Sound | Cindy Marty | Sound Editor |
Sound | Roxanne Jones McCarthy | Sound Editor |
Sound | Jeff Rosen | Sound Editor |
Sound | Bobbe Kurtz | Supervising ADR Editor |
Sound | Beth Bergeron | ADR Editor |
Sound | Jim Henrikson | Music Editor |
Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
Sound | Doug Hemphill | Sound Re-Recording Mixer |
Sound | Edward F. Suski | Sound Re-Recording Mixer |
Art | Gregory Pickrell | Art Direction |
Art | George R. Nelson | Set Decoration |
Art | David F. Klassen | Set Designer |
Art | Tom Cranham | Production Illustrator |
Art | Dennis DeWaay | Construction Coordinator |
Art | Steve Fegley | Construction Foreman |
Art | Donald Krafft | Leadman |
Art | John A. Mileski | Standby Painter |
Crew | Allen Hall | Special Effects Coordinator |
Crew | John Branagan | Stunt Coordinator |
Art | Louis S. Fleming | Property Master |
Art | Mike Carrillo | Assistant Property Master |
Costume & Make-Up | Alan Friedman | Makeup Artist |
Costume & Make-Up | Marlene D. Williams | Hairstylist |
Costume & Make-Up | Norma Lee | Hairstylist |
Lighting | Ronald W. McLeish | Gaffer |
Camera | Michael M. Krevitt | Key Grip |
Camera | George R. Schrader | Dolly Grip |
Production | Shari Leibowitz | Production Coordinator |
Production | Murray Miller | Location Manager |
Crew | John M. Woodward | Transportation Coordinator |
Crew | Frank DeMichelis | Craft Service |
Editing | Donah Bassett | Negative Cutter |
Editing | Phil Downey | Color Timer |
Crew | Patrick J. Statham | Stunt Coordinator |
Crew | Joni Avery | Stunts |
Crew | Charles Croughwell | Stunts |
Production | Jorge Gundín | Production Manager |
Crew | Miranda Garrison | Choreographer |