A supposedly deaf-mute peddler, who roams the countryside as a dance vendor and day laborer, meets a single woman who keeps her desire for closeness at a distance with anonymous phone sex. The two emotional Eskimos attract and repel each other, lie to and desire each other, perform egg dances on frosty-thin ground, fight for affection and a goldfish always ready to break out.
Directing | Ferdinand Barth | Director |
Writing | Ferdinand Barth | Screenplay |
Writing | Roman Mauer | Screenplay |
Sound | Ralf Keser | Music |
Camera | Thomas Vollmar | Director of Photography |
Production | Thomas Vollmar | Producer |
Sound | Matthias Diederich | Sound |
Editing | Sung Hyung Cho | Editor |
Lighting | Sebastian Matthias | Gaffer |
Art | Ricarda Ebert | Property Master |
Directing | Roman Mauer | Assistant Director |
Costume & Make-Up | Lili Gurdiel | Makeup Artist |
Costume & Make-Up | Adriana Taratufolo | Costume Design |
Production | Jutta Feit | Production Manager |
Crew | Thereza Koch | Translator |
Art | Bardo Breivogel | Title Designer |
Sound | Bernd Thurig | Sound Designer |
Production | Susanne Mann | Production Assistant |
Production | Sebastian Schnabel | Production Driver |
Production | Anja Hansmann | Location Manager |
Crew | Martin Malcharek | Set Production Intern |
Crew | Sebastian Matthias | Steadycam |
Camera | Cordula Stahl | Assistant Camera |
Sound | Markus Weiss | Sound Assistant |
Art | Anne Scheuing | Assistant Property Master |
Crew | Renate von Lucadou | Catering |
Lighting | Thomas Steimer | Lighting Technician |
Lighting | Guido Theis | Lighting Technician |
Production | Tim Garde | Casting |
Production | Claudia Stump | Casting |
Art | Robert Schröder | Set Designer |
Art | Karsten Wagner | Set Designer |
Art | Tim Bantien | Production Design |
Editing | Karl Heinz Wege | Negative Cutter |
Editing | Irma Wege | Negative Cutter |